Tag Archives: residential

Alwyn Court Apartments

Alwyn Court Apartments is undoubtedly the most decorated building in New York: Gray terra cotta covers every foot of the 12-story building. When the building opened in 1909 it was as opulent inside as it is outside. Each apartment (two to a floor) had 14 rooms and five baths – except for the 32-room apartment!

The building had a stroke of bad luck just months after opening, when only five apartments were occupied – a fire damaged some of the upper floors. The building was repaired and filled quickly, but dropped out of fashion in the late 1930s. And the Great Depression didn’t help. The bank foreclosed and reconfigured Alwyn Court as 75 much smaller apartments under direction of architect Louis H. Weeks. The main entrance on the corner was converted to retail space (now the Petrossian restaurant); the former service entrance on Seventh Avenue is now the main entrance.

As part of a co-op conversion, the building’s facade was cleaned and restored in 1980 by Beyer Blinder Belle, an architectural firm specializing in historic preservation.

The fire-breathing dragons at the corner entry (and elsewhere) are actually salamanders; a crowned salamander was the emblem of Francis I, King of France. (The same emblem graces Red House, another apartment building designed by Harde & Short.)

Alwyn Court Vital Statistics
Alwyn Court Recommended Reading

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45 East 66th Street

45 East 66th Street is a striking Gothic-embellished apartment building designed by Harde & Short, built of red brick with white terra cotta ornament. The 10-story Madison Avenue landmark has a distinctive corner tower (like Harde & Short’s Alwyn Court) and a tall cornice; the colors and ornamentation are similar to the architects’ Red House.

Originally, the luxury building had just two apartments on each floor. The building’s entrance was in the base of the corner tower, and there were no stores. In 1928, new owners moved the entry to East 66th Street (where it is now) and converted ground floor apartments to more lucrative stores. A few years later the owners began subdividing apartments – there are now 33 in the 10-story building.

45 East 66th Street Vital Statistics
45 East 66th Street Recommended Reading

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Dakota Apartments

The Dakota Apartments were New York’s first luxury apartments, built by Singer Sewing Machine’s Edward S. Clark and designed by Henry Janeway Hardenbergh (of Plaza Hotel fame). It was named the Dakota, according to the Landmarks Preservation Commission, because Clark’s colleagues teased him that if he built it a few blocks further away he could build it in Dakota (Indian territory). *

The grand structure overlooking Central Park has a 20-foot-high covered entryway into its central courtyard – designed to accommodate carriages and horses, which were stabled nearby. The apartments were served by four entrances, at the corners of the courtyard. The adjoining lot – now a white brick apartment building – used to contain The Dakota’s tennis courts and a power station.

Though most recently known as the home of John Lennon and Yoko Ono – and the site where Lennon was murdered – the building has in fact been home to dozens of celebrities. Celebrity status isn’t enough to gain admittance, though: The Board of Directors (The Dakota is a cooperative) is notorious for rejecting would-be tenants. Among the rejected: Antonio Banderas, Melanie Griffith, Cher, Billy Joel, Madonna, Carly Simon, Alex Rodriguez, Judd Apatow and Tea Leoni.

When apartments become available, their prices are in the tens of millions of dollars. That doesn’t seem to bother some people: John Lennon had six apartments; Rudolf Nureyev’s apartment was just one of several homes.

When built, The Dakota Apartments offered many services of a hotel. A private dining room served residents – or delivered (and served) meals in their apartments. A substantial housekeeping staff included porters, janitors, maids, laundresses, elevator operators and more. The staff delivered coal and firewood for the apartments’ stoves and fireplaces – and hauled away the resulting ashes. The top two floors were originally for the building’s laundry, and servants quarters.

All in all, beautiful architecture and fascinating history. See some of the interiors at the Dakota Projects documentary website.

* This story, though widely quoted, actually has no documentary basis according to historian Andrew Alpern. The quote was pure speculation of a property manager, years after Clark died, says Mr. Alpern.

There is a new book by architectural historian Andrew Alpern – the most comprehensive history of The Dakota imaginable! Mr. Alpern documents the building, its builder (and family!), the architect, the neighborhood, the architectural and historical context, and even the Dakota’s residents. Fascinating reading that illuminates not only The Dakota, but also the world of apartment living in New York City. I’m honored that he chose photos from this gallery to help illustrate the volume.

Dakota Apartments Vital Statistics
Dakota Apartments Recommended Reading

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The Braender

The Braender is one of the more interesting apartment buildings of Central Park West’s far northern blocks – Manhattan Valley. The 10-story structure was restored in 2006. Among other repairs, huge terra cotta ornaments were replaced with lighter replicas. A couple of the originals are now displayed at ground level, in the building’s courtyard, where they can’t fall and hurt someone.

The building hasn’t had stunning architectural reviews – it’s a quirky mix of styles that’s hard to categorize – but it does get noticed. Originally the building had about 50 apartments (according to The New York Times Streetscapes column); those have been subdivided into the current 88.

Braender Vital Statistics
Braender Recommended Reading

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New York Cancer Hospital

The New York Cancer Hospital (aka Towers Nursing Home, aka 455 Central Park West) is one of the most striking buildings on Central Park West – if not in the entire city. What’s even more remarkable is that the Loire Valley chateau-style towers were medically prescribed – not simply decorative! Medical theory of the day was that round or octagonal wards promoted health by preventing air stagnation and the accumulation of dirt.

The hospital was privately financed, by donations from John Jacob Astor and others. The first, Astor-financed pavilion, was dedicated to treating women; later additions included a wing for men, a chapel, and an X-ray building. Public awareness of cancer was spurred by the death of President Ulysses S. Grant, from throat cancer. Until the 1880s, cancer was thought to be contagious, and limited to those living in poverty and filth.

In 1899 the hospital was renamed General Memorial Hospital for the Treatment of Cancer and Allied Diseases. In 1939 the hospital moved to the Upper East Side as Memorial Sloan-Kettering Cancer Center. From 1955 to 1974 the hospital served as the Towers Nursing Home, operated by Bernard Bergman until it closed in scandal.

The abandoned buildings then became a crumbling haven for drug addicts until developer MCL Companies bought the property and successfully redeveloped the hospital/nursing home into luxury condominiums, with the addition of a 27-story tower. Apartments in the original (but gutted and rebuilt) buildings sold for up to $8 million!

A big thank you to Tsehaye Tesfai, who noticed my interest in this building and invited me up into his apartment so that I could shoot the hospital from above!

New York Cancer Hospital Vital Statistics
New York Cancer Hospital Recommended Reading

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The Carlyle

The Carlyle Hotel and Carlyle House are next door neighbors on Madison Avenue, both designed by architects Bien & Prince and so closely matched you might not notice that they’re separate buildings. The hotel has the 40-story green-and-gilt-capped tower – and gilt-edged history to go with it.

The yellow brick and limestone buildings had an inauspicious start: Just two years after their 1930 opening, the hotel and apartment building were auctioned off, victims of the 1929 stock market crash. New owners kept the properties afloat financially, and in 1948 sold to Robert Whittle Downing. Downing is credited with turning The Carlyle into an elegant, fashionable address.

U.S. Presidents from Harry Truman to Bill Clinton visited The Carlyle, but President Kennedy made it the “New York White House.” He had purchased an apartment in The Carlyle’s tower when he was a Senator. You can spot the apartment today by the breakfast nook that sticks out of the north side of the tower.

Kennedy wasn’t alone in modifying the tower – scan the facades and you’ll find a number of irregular windows.

Today, the hotel tower contains 180 guest rooms and suites, and 60 privately owned residences. The apartment building has 43 residences.

The Carlyle Vital Statistics
The Carlyle Recommended Reading

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Amidon

Amidon is an attractive seven-story Renaissance Revival apartment building with finely detailed yellow-orange roman brick – ambitious for its time and neighborhood – now enlivened by a sculptor in residence.

The building is part of the newly (June 2012) expanded Riverside-West End Historic District. Most of the Amidon’s facade is original – historic, in preservation-speak – except that the storefronts have been replaced and the cornice was removed. And oh, the whimsical grotesques that flank the main entry were sculpted by G. Augustine Lynas, an Amidon resident.

(Mr. Lynas has other work in the neighborhood – an elaborate sandbox, cast in sand-colored concrete, is the centerpiece of a children’s playground in Riverside Park, between W 82nd and W 83rd Streets. You can see more at www.SandSong.com.)

Amidon Vital Statistics
Amidon Recommended Reading

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Chatsworth Apartments and Annex

The Chatsworth Apartments and Annex are magnificent Beaux Arts buildings at the foot of West 72nd Street, overlooking the Hudson River and Riverside Park. The eight-story annex was built two years after the 12-story main building; the two are distinctively separate except for a unifying limestone base. Although not apparent from the front (W 72nd Street), the Chatsworth itself is two buildings. The second, with a less elaborate facade, is now visible only from W 71st Street. Donald Trump’s Harmony House condo (2003) blocks the buildings’ west facades, which used to overlook the abandoned West Side rail yard (and the Hudson River, beyond).

The most lavish of Chatsworth’s 66 apartments ranged from five to 15 rooms, which rented for $900 to $5,000 per year (1904 dollars!). The smaller Chatsworth Apartments Annex had one apartment per each of its eight floors.

Take time to read the Daytonian in Manhattan piece for some fascinating history; The New York Times three pieces detail tenants’ battles with the landlord and with Donald Trump.

Chatsworth Apartments and Annex Vital Statistics
Chatsworth Apartments and Annex Recommended Reading

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Studio Building

Studio Building aka Studio Apartments (not to be confused with 140 W 57th Street Studio Building – The Beaufort) has just 32 apartments – but what apartments! At this writing, one of those three-bedroom cooperative apartments is on the market for $15.5 million. The mid-block building overlooks the Museum of Natural History on wide W 77th Street; the views more spectacular because living rooms (originally studios) are double height with floor-to-ceiling windows.

The building’s original facade was even more ornate – there was a massive oriel projecting from the top three floors, and an elaborate cornice that added a story to the building’s height. The New York Times notes that three quarters of the original ornament was stripped in the 1940s.

The architects – Herbert Spencer Harde and Richard Thomas Short – had a brief but showy partnership that resulted in four landmarked buildings: this and Red House, Alwyn Court, and 45 E 66th Street.

Studio Building Vital Statistics
Studio Building Recommended Reading

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W 71st Street Row Houses

West 71st Street, between West End Avenue and Riverside Boulevard, was designated a New York City Historic District in 1989, to preserve 36 buildings – principally row houses built 1893-1896 on a dead-end street.

This collection depicts eight of those houses – 329 to 343 W 71st Street – designed by Horgan & Slattery.

History does not look kindly on Horgan & Slattery; their most prominent commissions, it was charged, came from Tammany Hall connections rather than merit. This set of row houses, though private residences untainted by political connections, have been criticized as a copy of Stanford White’s Century Association Building on W 43rd Street (see The New York Times article).

Regardless of who should get credit for the design (the NYC Landmarks Preservation Commission credits Horgan & Slattery without comment), they are exceptional buildings!

The yellow/tan brick, terra cotta decoration, alternating round-arched and plain doors, oval windows, balconies, columns and pilasters – give the buildings unique character.

If you visit the block you’ll see something else that’s unique: An artificial “dead end.” Before Riverside Boulevard was created over the former West Side rail yards, W 71st was a dead end. The street now joins Riverside Boulevard, but barriers (retractable to allow emergency vehicles) make it a through street only for pedestrians. A local resident said the barriers are to maintain the street’s quiet character.

W 71st Street Row Houses Vital Statistics
W 71st Street Row Houses Recommended Reading

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