Tag Archives: New York City

21 West Street

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21 West Street (aka Le Rivage), a slender 31-story Art Deco landmark, was converted from offices to apartments in 1998. The building complements the adjoining Downtown Athletic Club, designed by the same architects but built five years earlier.

When built in 1931 (at the same time as the Empire State Building), 21 West Street was across the street from the waterfront. Upper-story tenants then had an unobstructed view of the Hudson. Battery Park City was built on landfill placed in 1980 from excavation for the World Trade Center.

The exposed corners of the building are cantilevered, allowing corner windows. The building was promoted as “An office building with glass corners.” The original red window frames have been replaced by a more neutral tan matching the brick surrounds.

Starrett & Van Vleck used different-colored bricks to create a “woven” texture and to accentuate the building’s vertical lines. The Washington Street facade has setbacks at the 10th and 16th floors; all three facades have setbacks above the 21st, 26th, 29th and 30th floors.

21 West Street Vital Statistics
  • Location: 21 West Street at Morris Street
  • Year completed: 1931
  • Architect: Starrett & Van Vleck; conversion: SLCE Architects
  • Floors: 31
  • Style: Art Deco
  • New York City Landmark: 1998
  • National Register of Historic Places: 1999
21 West Street Recommended Reading

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Bowling Green Offices

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Bowling Green Offices is New York’s only “Hellenic Renaissance” style building.* It’s an architectural style invented by brothers William and George Ardsley as “a free but pure treatment of ancient Greek architecture.”

Whatever the style, it has crisp, lively ornamentation that stands out from its neighbors on “Steamship Row.” (When Bowling Green Offices was built, One Broadway was still a Queen Anne-style red brick building, and the Cunard Building had not yet been built; the Hudson River was just three blocks to the west.)

In plan, the building is U-shaped, with the base at the north, next to the Cunard Building. The light court in the middle of the U is aligned with the light court of One Broadway, the neighbor to the south.

This was the site of high drama: White Star Line, an early tenant, was besieged by worried relatives and friends of passengers aboard The Republic, which had been rammed by the Italian ship Florida in 1909. All passengers were safe in that incident, but three years later the offices were jammed again as news of the Titanic spread. Drama of a different sort hit the building in 1915: Seven elevators simultaneously fell; and seven months later, four elevators repeated the performance.

In 1920, the owners added a 17th floor and, at the north end of the building, a four-story tower.

Architect George Ardsley is better known as an author of 25 books on decorative art, and as a designer of pipe organs – including the famed Wanamaker organ in Philadelphia.

* The only other building in this style was the Layton Art Gallery in Milwaukee, now demolished.

Bowling Green Offices Vital Statistics
  • Location: 3-11 Broadway between Battery Place and Morris Street
  • Year completed: 1898
  • Architect: William James Audsley and George Ashdown Audsley
  • Floors: 21
  • Style: “Hellenic Renaissance”
  • New York City Landmark: 1995
Bowling Green Offices Recommended Reading

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Keuffel & Esser Company Building

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Keuffel & Esser Company Building, a New York landmark designed by De Lemos & Cordes, is well-preserved Renaissance Revival architecture on Fulton Street.

Like many commercial buildings in lower Manhattan, this has been converted (2010) to residential use – Compass Points Condominiums. “Compass Points” refers to two of Keuffel & Esser’s lines of business: Drafting/drawing instruments and surveying instruments.

Unlike many commercial buildings in lower Manhattan, this facade has been well preserved and restored. The Fulton Street side is the building’s most impressive facade, although the back of the building (42 Ann Street) is actually one story taller.

Architects Theodore W. E. De Lemos and August W. Cordes were successful designers of commercial buildings. Among their accomplishments are the Macy’s department store (original Broadway building), the Siegel-Cooper Department Store (now occupied by Bed Bath & Beyond) on Sixth Avenue, and the original Empire State Building (named for the Empire State Bank), 640 Broadway at Bleecker Street.

Keuffel & Esser Company Building Vital Statistics
  • Location: 127 Fulton Street (block-through to Ann Street) between Nassau and William Streets
  • Year completed: 1893
  • Architect: De Lemos & Cordes
  • Floors: 8
  • Style: Renaissance Revival
  • New York City Landmark: 2005
Keuffel & Esser Company Building Recommended Reading

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640 Broadway

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640 Broadway, designed by DeLemos & Cordes and completed in 1897, is the original Empire State Building – named for the bank that was housed on the ground floor.

DeLemos & Cordes would go on to design much grander buildings – notably the Keuffel & Esser Company Building, Siegel, Cooper & Co. Department Store, and the R.H. Macy & Co. Department Store at Herald Square.

The building’s original commercial tenants – including the Empire State Bank – have long since departed; a Swatch store now occupies the ground floor; upper floors have been converted to loft apartments.

640 Broadway Vital Statistics
  • Location: 640 Broadway at Bleecker Street
  • Year completed: 1897
  • Architect: DeLemos & Cordes
  • Floors: 9
  • Style: Classical Revival
  • New York City Landmark: 1999
640 Broadway Recommended Reading

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Bleecker Tower

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Bleecker Tower, originally the Manhattan Savings Institution, is a distinctive red sandstone and brick structure. Its chamfered corner and Romanesque arches are on a massive scale – appropriate for the bank that it was. (Lofts filled the upper stories.)

After mergers with two other banks, Manhattan Savings Institution became Manhattan Savings Bank – and closed the branch at 644 Broadway in the early 1940s. “MSI” remains embossed on the building’s copper pediment.

In the 1970s the owners converted the building to residential lofts; in the 1980s the building was converted again, to luxury loft apartments. In 2000 the owners embarked on a major facade restoration.

Bleecker Tower is in good company: Landmarked Empire State Bank Building is across the street; landmark Bayard-Condict Building is next door.

Bleecker Tower Vital Statistics
  • Location: 644 Broadway at Bleecker Street
  • Year completed: 1891
  • Architect: Stephen Decatur Hatch
  • Floors: 8
  • Style: Romanesque Revival / Queen Anne
  • New York City Landmark: 1999
Bleecker Tower Recommended Reading

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Bayard-Condict Building

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Bayard-Condict Building is New York’s only sample of the Chicago School architecture of Louis H. Sullivan. The 12-story steel-framed, terra-cotta-clad office building was considered a skyscraper when it was completed in 1899. It still glows a warm white at the T intersection of Bleecker and Crosby Streets, thanks to painstaking restoration in 1996.

The six-year, $800,000 project repaired almost 1300 terra cotta tiles; only 30 had to be replaced. In addition, restoration architects Wank Adams Slaving Associates located one of the elaborate original store front column capitals that had been ripped out during an early renovation – and made copies to restore the ground floor to its original design.

Louis Sullivan’s architectural innovation was to abandon the custom of designing and ornamenting buildings in the styles of the past – Beaux Arts, Classical Revival, Romanesque, etc. Instead, he created forms that accentuated a building’s height and structure – thin steel beams instead of massive masonry columns. Decoration, too, was modernized and Americanized.

(It should be noted that the six angels crowning the Bayard-Condict Building were not Sullivan’s idea. They were ordered by Silas Alden Condict.)

The building’s financial form was not as well designed as its facade. New York City’s Landmarks Preservation Commission notes that though the structure’s original name was to be Bayard Building, none of the prominent Bayard family was financially involved. The point became moot when construction delays resulted in a recall of the mortgage: New owners Emmeline and Silas Condict changed the name to Condict Building. A scant five months after the tower’s completion, the Condicts sold it to Charles T. Wills, the builder – who revived the Bayard name.

Bayard-Condict Building Vital Statistics
  • Location: 65 Bleecker Street at Crosby Street
  • Year completed: 1899
  • Architect: Louis H. Sullivan and Lyndon P. Smith
  • Floors: 12
  • Style: Chicago School
  • New York City Landmark: 1975
  • National Register of Historic Places: 1976
Bayard-Condict Building Recommended Reading

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Engine Company 33

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Engine Company 33 firehouse embodies New York fire department architecture: big, bold, and colorful – like the men who live, work and sometimes die there.

The house dominates Great Jones Street on the block between Lafayette Street and The Bowery. Its monumental limestone Beaux Arts arch, scooped out of the four-story red brick facade like a band shell, recalls the top of New York’s demolished Singer Building. That tower, also designed by Ernest Flagg, was the world’s tallest building when completed in 1909 – 11 years after this firehouse.

The firehouse, now shared by Ladder Company 9, was among the first designed by Flagg. Until 1895, Napoleon Le Brun (and sons) had been the NYFD chief architect; the firm designed 40 firehouses in 16 years.

Tragically, this house lost 10 of its 14 firefighters on September 11, 2001. (The NY Times article was incorrect on this point.)

Engine Company 33 Vital Statistics
  • Location: 42 Great Jones Street between Lafayette Street and the Bowery
  • Year completed: 1898
  • Architect: Ernest Flagg, W. B. Chambers
  • Floors: 4
  • Style: Beaux Arts
  • New York City Landmark: 1968
  • National Register of Historic Places: 1972
Engine Company 33 Recommended Reading

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700 Broadway

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700 Broadway seems to have an ongoing identity crisis. Originally the Schermerhorn Building*, it was designed by George B. Post as a store. A decade later the Romanesque Revival structure was converted to showrooms, offices, storage and workshops. Then it became lofts. The building was vacant and abandoned for most of the 1980s, until the National Audubon Society took it over as their national headquarters in 1989. Lincoln Property Company bought the building in 2006, but sold it in 2008 to the law firm Weitz & Luxenberg.

The building became “green” as the Audubon House: A two-year restoration project triple-insulated the structure’s walls and roof, rebuilt interior spaces to make better use of natural lighting, and installed high-efficiency lighting and heating/cooling systems, among other improvements.

When Weitz & Luxenberg took over, the firm discovered that routine facade maintenance was anything but routine: Years of subway vibrations and freeze/thaw cycles had created severe structural damage – major cracks had developed and parts of the walls were leaning out over the street. Another two-year restoration project ensued, rebuilding and repairing the walls, cornice, and terra cotta ornamentation.

Architect George B. Post also designed the landmark New York Stock Exchange and Brooklyn Historical Society.

* Not to be confused with the Schermerhorn Building just two blocks away at 380 Lafayette Street.

700 Broadway Vital Statistics
  • Location: 700 Broadway at E 4th Street
  • Year completed: 1891
  • Architect: George B. Post
  • Floors: 8
  • Style: Romanesque Revival
  • New York City Landmark: 1999
700 Broadway Recommended Reading

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Ardsley

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The Ardsley is one of a handful of Art Deco apartment buildings on Central Park West – and considered by some to be Emery Roth’s finest Art Deco building, even surpassing his Eldorado, one block south. It’s a sharp departure from the styles Roth used in his other famous Central Park West apartment towers: Alden, Beresford, and San Remo.

The Ardsley Vital Statistics
  • Location: 320 Central Park West at W 92nd Street
  • Year completed: 1931
  • Architect: Emery Roth
  • Floors: 22
  • Style: Art Deco
  • New York City Landmark: 1990
The Ardsley Recommended Reading

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El Dorado

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El Dorado (aka The Eldorado*) is among New York’s most fabled apartment buildings – for its celebrity residents as much as for its stunning twin-tower Art Deco architecture.

Despite (or because of?) the building’s impressive design, El Dorado (The Golden One) got off to a rocky start – foreclosure following the stock market crash. Though the apartments were luxe enough to include maid’s quarters, the building was economy-minded enough to use cast stone instead of the real thing in the three-story base. And original notations of gold leaf for the towers’ pinnacles were never executed.

After reorganization, the building successfully attracted luxury-minded tenants; in 1982 El Dorado turned co-op. Unlike other pricey New York cooperatives, El Dorado welcomes celebrities. Famous tenants and former tenants include (in no particular order) Bruce Willis, Tuesday Weld, Barney’s founder Barney Pressman, Faye Dunaway, Garrison Keillor, Michael J. Fox, U2’s Moby, Sinclair Lewis, Marilyn Monroe, Groucho Marx, and Alec Baldwin.

One celebrity the apartments could have done without was the resident of apartment 9B – you can read the gruesome details in The New York Times and New York Daily News stories!

*El Dorado is Spanish for “The Golden One,” so THE El Dorado is redundant; the official name is Americanized as The Eldorado – but the canopy on Central Park West has it El Dorado. The name is inherited from an earlier (1902) eight-story luxury apartment house on the same site, El Dorado.

El Dorado Vital Statistics
  • Location: 300 Central Park West at 90th to 91st Streets
  • Year completed: 1931
  • Architect: Emery Roth with Margon & Holder
  • Floors: 28
  • Style: Art Deco
  • New York City Landmark: 1990
  • National Register of Historic Places: 1982
El Dorado Recommended Reading

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