Tag Archives: New York City

Cass Gilbert

Cass Gilbert

Cass Gilbert (1859-1934) designed seven New York City landmarks between 1900 and 1934, among dozens of his notable works of architecture across the U.S.

← 1907 photo in Minnesota Encyclopedia (source: Wikipedia)

While best known to New Yorkers for the Woolworth Building, Gilbert also designed the Capitols of Minnesota, Arkansas and West Virginia, and the U.S. Supreme Court in Washington, D.C.

Born in Ohio, Gilbert rose to prominence in Minnesota when he was selected to design the new State Capitol in St. Paul. His Brazer Building in Boston led to a commission to his first New York commission, the Broadway Chambers Building. During that building’s construction, Gilbert moved to New York.

(Don’t confuse Cass Gilbert with his son – Cass Gilbert, Jr. – or with C.P.H. Gilbert. Cass Gilbert, Jr. supervised completion of the Thurgood Marshall US Courthouse that his father designed before he died. C.P.H. [Charles Pierrepont Henry] Gilbert is best known for mansions and townhouses.) Trivia: Cass and C.P.H. do have a connection, via Frank W. Woolworth: Woolworth hired Cass to design the Woolworth Building, but hired C.P.H. to design his personal mansion.

Cass Gilbert Representative Buildings
Cass Gilbert Suggested Reading

Alexander Hamilton U.S. Custom House

Alexander Hamilton U.S. Custom House is one of New York City’s most important landmarks, both for its history and for its architecture.

Historically, this is the site of New York’s first Custom House; the first building burned down. The choice of architect was the first major use of the 1893 Tarnsey Act, which allowed private architects to design public buildings. Cass Gilbert won the commission, after heated (and controversial) competition. The United States Custom House also served as a test of the New York City Landmarks Preservation Commission: In 1965 the then-new agency was designating a federal building as a city landmark, and the regional administrator for the General Services Administration (GSA) argued that the city had no authority to regulate federal property. (Nonetheless, the city returned in 1979 to declare the interior as a landmark!)

The building was hugely important to the nation: Import duties charged here and at other ports financed the government, in the days before an income tax. The Customs Service moved to the World Trade Center in 1971. The building was empty for a decade, and slated for demolition until Senator Daniel Patrick Moynihan (D, NY) sponsored a bill to restore the Custom House. Additional legislation required the GSA to find new uses for unused federal buildings (they needed a law to figure that out?). Now, the building is shared by the U.S. Bankruptcy Court, the National Archives, and the National Museum of the American Indian (Smithsonian Institution).

You can’t tell it from these photos, but the Custom House is actually trapezoidal: The back of the building is wider than the front.

Cass Gilbert’s Beaux Arts design is filled with symbolism and references to classical architecture. The four monumental sculptures in front of the building, sculpted by Daniel Chester French, represent the continents Asia, Africa, America, and Europe. Statues representing 12 seafaring nations stand above the front facade’s columns; the Corinthian capitals of the columns include the head of Mercury (representing commerce); second-story windows are topped by heads representing the “eight races of mankind.”

How did Belgium wind up among the top 12 seafaring nations? According to “Secret New York, An Unusual Guide,” the statue was originally Germany, but ordered changed after the outbreak of World War I.

Interior details are equally rich (and also designated a New York City Landmark). New York artist Reginald Marsh painted the murals in the second floor rotunda, as part of a Treasury Relief Art Project (an offspring of the W.P.A.) in 1937.

(The GSA has an extensive photo gallery showing interior details.)

Alexander Hamilton U.S. Custom House Vital Statistics
Alexander Hamilton U.S. Custom House Recommended Reading

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C.P.H. Gilbert

230px-C_P_H_Gilbert C.P.H. Gilbert (1861-1952), is best known for his lavish mansion and townhouse architecture for New York’s wealthiest citizens. Charles Pierrepont Henry Gilbert, a native New Yorker, studied engineering and architecture in the U.S. and abroad, including at the École des Beaux-Arts in Paris. Gilbert initially designed buildings in Colorado and Arizona, but returned to New York in 1885.

(portrait photo source: Wikipedia)

C.P.H. Gilbert designed more than 100 mansions in Brooklyn and Manhattan, several of which are designated New York City landmarks. A few of his Fifth Avenue mansions have been converted to institutional use – notably the Ukrainian Institute (former Harry F. Sinclair House) and the Jewish Museum (former Felix M. Warburg House).

Don’t confuse C.P.H. Gilbert with Cass Gilbert. Cass Gilbert is best known for monumental commercial and civic architecture. Trivia: Cass and C.P.H. do have a connection, via Frank W. Woolworth: Woolworth hired Cass to design the Woolworth Building, but hired C.P.H. to design his personal mansion.

C.P.H. Gilbert Representative Buildings
C.P.H. Gilbert Suggested Reading

Helmut Jahn

Helmut Jahn (1940 – ) is a German-born, Chicago-based architect of international renown, with five colorfully distinctive New York towers (and one mid-rise) under his belt. The proposed but not built Television City would have been a record-breaker on behalf of The Donald (Trump). A new Jahn-designed tower – 50 West Street – is now underway.

After emigrating to the U.S., Jahn studied at the Illinois Institute of Technology under famed Ludwig Mies van der Rohe. He joined the firm of C.F. Murphy Associates in 1967. The roof of Jahn’s first major project, Kemper Arena (1974), collapsed in 1979. But his practice hardly skipped a beat: Eight major projects filled the years 1980-1986. In 1987-1989 he exploded on the New York scene with six projects: Office towers 425 Lexington Avenue, City Spire, International Plaza, and Park Avenue Tower, plus America Apartments. A smaller project – the 12-story Metropolitan Transportation Authority Building located in Brooklyn – was completed in 1989.

Jahn also designed Donald Trump’s proposed 150-story Television City.

After nearly 30 years’ absence, Jahn design is again under construction in New York. The long-dormant 50 West Street project, a 63-story mixed-use tower, is slated for 2016 completion.

Helmut Jahn New York Buildings
Helmut Jahn Suggested Reading

De Lamar Mansion

The De Lamar Mansion (Joseph Raphael De Lamar House), now the Polish Consulate General in New York, is a prime example of Beaux Arts architecture in New York.

C.P.H. Gilbert designed this for Joseph De Lamar, who struck it rich in the Colorado Gold Rush and wanted a home fit to enter New York’s high society. Besides towering over neighboring mansions (such as J.P. Morgan’s home across the street), the De Lamar mansion had the unheard-of luxury of an underground garage, served by electric hoist. [See Daytonian in Manhattan]

Joseph and his 10-year-old daughter Alice – he was divorced – lived in the palatial home with nine servants.

After Joseph died in 1918, Alice moved out and sold the mansion to the American Bible Society, which later sold it to the National Democratic Club. Much later (1973), the Republic of Poland bought the mansion to house its consulate.

De Lamar Mansion Vital Statistics
De Lamar Mansion Recommended Reading

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January Landmarks

These NYC landmarks celebrate their Landmarks Preservation Commission designation anniversaries in January

Types: I=Individual; S=Scenic; HD=Historic District

Type Borough Day Year Landmark Built Architect(s) Style Link
HD M 3 1984 West End Collegiate Historic District [pdf]
I M 5 1988 Ed Sullivan Theater (Originally Hammerstein’s Theater), first floor interior 1927 Herbert J. Krapp Gothic [pdf]
I M 5 1988 Winter Garden Theater, first floor interior 1885 W. Albert Swasey; Herbert J. Krapp; Francesca Russo N/A [pdf]
I M 5 1993 Mount Morris Bank Building (Later the Corn Exchange Bank, Mount Morris Branch) 1883 Lamb & Rich, Frank A. Rooke Romanesque Revival [pdf]
I M 5 1993 Washington Apartments 1883 Mortimer C. Merritt Queen Anne [pdf]
I M 5 1993 (Former) Century Association Building 1869 Gambrill & Richardson neo-Grec [pdf]
I M 8 1991 The Diller Residence 1899 Gilbert A. Schellenger Renaissance Revival [pdf]
I M 8 1991 The Kleeberg Residence 1896 C.P.H. Gilbert Renaissance Revival [pdf]
I M 8 1991 The Prentiss Residence 1899 C.P.H. Gilbert Renaissance Revival [pdf]
I M 8 1991 The Sutphen Residence 1901 C.P.H. Gilbert Renaissance Revival [pdf]
I Q 8 1991 Flushing High School 1912 C.B.J. Snyder Gothic [pdf]
I BX 8 2002 Begrisch Hall at Bronx Community College 1956 Marcel Breuer & Associates Postmodern [pdf]
I B 9 1979 Flatbush Dutch Reformed Church Parsonage 1853 UNKNOWN Greek Revival [pdf]
I M 9 1979 United States Custom House (interior) 1907 Cass Gilbert Beaux Arts [pdf]
I B 10 1978 Public School 111 1867 Samuel B. Leonard, James W. Naughton Romanesque Revival [pdf]
I BX 10 1978 Bartow-Pell Mansion, Expanded Landmark Site 1842 UNKNOWN Greek Revival [pdf]
I BX 10 1978 Public School 15 1877 Simon Williams N/A [pdf]
I M 10 1978 Public School 9 Annex 1895 James W. Naughton Romanesque Revival [pdf]
HD BX 10 2006 Fieldston Historic District [pdf]
I BX 11 1967 Christ Church 1866 Richard Upjohn & Son Victorian Gothic [pdf]
I BX 11 1967 Rainey Memorial Gates 1934 Charles A. Platt Art Deco [pdf]
I M 11 1967 America-Israel Cultural Foundation (formerly the William H. Moore House) 1898 McKim, Mead & White Renaissance Revival [pdf]
I M 11 1967 Bouwerie Lane Theatre (originally the Bond Street Savings Bank) 1873 Henry Engelbert, Steven Harris Architects French Second Empire [pdf]
I M 11 1967 Marble Collegiate Reformed Church 1851 Samuel A. Warner Mixed [pdf]
I M 11 1967 New York Public Library 1898 Carrere & Hastings; Davis Brody Bond; WJE Engineers and Architects Beaux Arts [pdf]
I M 11 1967 The Century Association 1889 McKim, Mead & White; Jan Hird Pokorny Renaissance Revival [pdf]
I M 11 1967 The Harvard Club of NYC 1893 McKim, Mead & White; Henry Cobb; Davis Brody Bond Georgian [pdf]
I M 11 1967 The University Club 1897 McKim, Mead & White; Peter Gisolfi Architects Renaissance Revival [pdf]
I M 11 1967 West End Collegiate Church and Collegiate School 1892 Robert W. Gibson Dutch/Flemish Renaissance [pdf]
I B 11 1977 Saint George’s Protestant Episcopal Church 1886 Richard M. Upjohn Gothic [pdf]
I M 11 1977 Barbara Rutherford Hatch Residence 1917 Frederick J. Sterner Spanish Colonial/Italian Renaissance [pdf]
I M 11 1977 Henry T. Sloane Residence 1894 Carrere & Hastings; RBSD Architects Beaux Arts [pdf]
I M 11 1977 Oliver Gould Jennings Residence 1898 Flagg & Chambers; RSBD Architects Beaux Arts [pdf]
I Q 11 1977 Prospect Cemetery 1668 N/A N/A [pdf]
I Q 11 1977 Allen-Beville House 1848 UNKNOWN Greek Revival [pdf]
I B 11 2011 Childs Restaurant Building 1917 John C. Westervelt Spanish Revival [pdf]
I M 11 2011 Haskin & Sells Building 1912 Frederick C. Zobel Renaissance [pdf]
I M 12 1999 Nicholas C. and Agnes Benziger House 1890 William Schickel Medieval [pdf]
I BX 12 2010 (Former) Dollar Savings Bank 1919 Renwick, Aspinwall & Tucker neo-Classical [pdf]
I M 12 2010 311 Broadway Building 1856 UNKNOWN Renaissance Revival [pdf]
I M 12 2010 West Park Presbyterian Church 1883 Leopold Eidlitz; Henry Kilburn; Ludlow & Peabody Romanesque Revival [pdf]
I Q 12 2010 Public School 66 (Formerly the Brooklyn Hills School, Later the Oxford School, Now the Jacqueline Kennedy Onassis School) 1898 Harry S. Chambers; C.B.J. Snyder Romanesque, Queen Anne [pdf]
I Q 12 2010 Ridgewood Theater Building 1916 Thomas W. Lamb Beaux Arts [pdf]
I S 12 2010 Mary and David Burgher House 1844 UNKNOWN Greek Revival [pdf]
I B 13 1998 New Utrecht Reformed Dutch Church Cemetery 1653 N/A N/A [pdf]
I B 13 1998 New Utrecht Reformed Dutch Church, Expanded Landmark Site, and Parish House 1828 Lawrence B. Volk Romanesque Revival [pdf]
I B 13 1998 (Former) Colored School No. 3 1879 Samuel B. Leonard Rundbogenstil [pdf]
I B 13 2009 Hubbard House 1835 Lawrence Ryder Dutch Colonial [pdf]
I M 13 2009 275 Madison Avenue Building 1930 Kenneth Franzheim Art Deco [pdf]
I M 13 2009 New York Public Library George Bruce Branch 1914 Carrere & Hastings Georgian Revival [pdf]
I M 13 2009 The New York Public Library, 125th Street Branch 1901 McKim, Mead & White Renaissance Revival [pdf]
I S 13 2009 John H. and Elizabeth J. Elsworth House 1880 N/A Renaissance Revival [pdf]
I M 14 1969 The Permanent Mission of Yugoslavia to the United Nations 1903 Warren & Wetmore Louis XV [pdf]
HD M 14 1969 St. Mark’s Historic District N/A [pdf]
I BX 14 1992 MacCombs Dam Bridge (Originally Central Bridge) And 155th Street Viaduct 1890 Alfred Pancoast Boller N/A [pdf]
I M 14 1992 Ahrens Building 1894 George H. Griebel Romanesque Revival [pdf]
I M 14 1992 Broadway Chambers Building 1901 Cass Gilbert Beaux Arts [pdf]
I M 14 1992 Goelet Building (Now Swiss Center Building) 1930 Victor L.S. Hafner Art Deco/International [pdf]
I M 14 1992 Goelet Building (Now Swiss Center Building), first floor interior 1930 Victor L.S. Hafner Art Deco/International [pdf]
HD B 14 1997 Vinegar Hill Historic District [pdf]
I M 14 1997 14 Wall Street Building (Formerly Bankers Trust Building) 1910 Trowbridge & Livingston; Shreve, Lamb & Harmon Renaissance Revival [pdf]
I B 17 1968 Wyckoff-Bennett Homestead 1766 UNKNOWN Dutch Colonial [pdf]
I S 17 1968 Sleight Family Graveyard (Rossville (Blazing Star) Burial Ground) 1750 N/A N/A [pdf]
I S 17 1968 Staten Island Lighthouse 1912 UNKNOWN N/A [pdf]
I M 18 1966 263 Henry Street Building (A Part of the Henry Street Settlement House) 1827 UNKNOWN Federal [pdf]
I M 18 1966 265 Henry Street Building (A Part of the Henry Street Settlement House) 1827 UNKNOWN Federal [pdf]
I M 18 1966 267 Henry Street Building (A Part of the Henry Street Settlement House) 1834 UNKNOWN Federal [pdf]
I M 18 1966 Sea and Land Church 1817 UNKNOWN Georgian [pdf]
I M 18 1966 St. James Church 1837 Minard Lafever Greek Revival [pdf]
I M 18 1966 Chamber of Commerce Building 1901 James B. Baker Beaux Arts [pdf]
I M 18 1966 Fire House, Engine Company 31 1895 Napoleon LeBrun & Sons French Renaissance [pdf]
I M 24 1967 Abigail Adams Smith House (Headquarters of the Colonial Dames of America) 1799 UNKNOWN Federal [pdf]
I M 24 1967 116 East 80th Street House (formerly the Lewis Spencer Morris House) 1922 Cross & Cross Federal Revival [pdf]
I M 24 1967 Church of Notre Dame 1909 Dans & Otto; Cross & Cross Greek Revival [pdf]
I M 24 1967 Clarence Dillon House 1930 Mott B. Schmidt Georgian Revival [pdf]
I M 24 1967 Edward S. Harkness House 1907 James Gamble Rogers Renaissance Revival [pdf]
I M 24 1967 Museum of the City of New York 1929 Joseph H. Freedlander; Polshek Partnership Architects Georgian Colonial [pdf]
I M 24 1967 The Yorkville Branch of the NY Public Library 1902 James Brown Lord Palladian [pdf]
I M 27 1976 City Hall, first floor interior 1803 John McComb Jr. and Joseph F. Mangin Federal, French Renaissance [pdf]
I M 27 1976 Lescaze House 1933 William Lescaze International [pdf]
I M 27 1976 Municipal Asphalt Plant 1941 Kahn & Jacobs N/A [pdf]
S B 28 1975 Ocean Parkway 1874 Olmstead & Vaux N/A [pdf]
I M 28 1975 Central Savings Bank 1926 York & Sawyer; SLCE Architects Classical [pdf]
I M 28 1975 Verdi Square 1906 N/A N/A [pdf]
I M 29 1980 130-134 East 67th Street Apartment Building 1907 Charles A. Platt Renaissance Revival [pdf]
I M 29 1980 149-151 East 67th Street Building (Former Mount Sinai Dispensary) 1889 Buchman & Deisler; Brunner & Tryon Renaissance Revival [pdf]
I M 29 1980 Park East Synagogue 1889 Schneider & Herter Moorish Revival [pdf]
I M 29 1985 Former Coty Building 1907 Woodruff Leeming; Beyer Blinder Belle Renaissance Revival [pdf]
I M 29 1985 Rizzoli Building 1907 Albert S. Gottlieb Renaissance Revival [pdf]
HD M 29 2002 Murray Hill Historic District [pdf]
I M 30 2001 (Former) Aberdeen Hotel (Now Best Western Manhattan Hotel) 1902 Harry B. Mulliken Beaux Arts [pdf]
I Q 30 1996 La Casina 1933 Li-Saltzman Architects Moderne [pdf]
I S 30 2001 August and Augusta Schoverling House 1880 UNKNOWN Second Empire [pdf]
I S 30 2001 Louis A. and Laura Stirn House 1908 Kafka & Lindenmeyr Renaissance Revival [pdf]
I S 30 2001 Staten Island Family Courthouse (Originally the Staten Island Children’s Courthouse) 1930 Sibley & Fetherston Georgian [pdf]
I M 30 2006 Church of All Saints (Roman Catholic) 1883 Renwick, Aspinwall & Russell; William W. Renwick Gothic [pdf]
I M 30 2007 Horn & Hardart Automat-Cafeteria Building 1930 F.P. Platt & Brother Art Deco [pdf]
I M 30 2007 St. Aloysius Roman Catholic Church 1902 William W. Renwick Gothic [pdf]

Park East Synagogue

Park East Synagogue is an “especially imaginative” example of the Moorish Revival architecture popular for 19th century synagogues, in the words of New York’s Landmarks Preservation Commission.

“A detailed description of this complicated facade,” said the Commission, “cannot recreate the liveliness and imagination with which the elements are composed. A multitude of readings is possible and each element is used in an original and sometimes surprising context. Elements that have structural roles are used ornamentally and in conjunction with other elements in a unique manner, such as the frequent use of balusters in place of columns or piers in arcades. This inventiveness adds a playful, almost whimsical, note to the profusely ornamented facade which is reminiscent of the character, if not the detail, of Northern Renaissance architecture.”

The report notes that the towers were originally topped by bulbous domes (similar to Central Synagogue).

The building’s inventiveness fit the congregation, which founding Rabbi Bernard Drachman described as a “harmonious combination of Orthodox Judaism and Americanism.”

At the same time, the synagogue was a huge jump for the architects, Ernst Schneider and Henry Herter, whose main work had been tenements in the Lower East Side and Clinton.

Park East Synagogue Vital Statistics
Park East Synagogue Recommended Reading

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Citigroup Center

Citigroup Center is remarkable New York architecture, with an engineering story even more dramatic than its photographs. The distinctive floating tower (renamed 601 Lexington Avenue in 2009) became a scary 59-story lesson for architects, engineers, public officials, lawyers and journalists worldwide.

Two elements make Citigroup (originally Citicorp) Center so distinctive: The southwest-facing 45-degree roof and the nine-story stilt base.

The signature angled roof, unmistakably visible for miles, was designed as a solar collector. A power gauge in the lobby once showed how much electricity was being generated by the sun. Apparently the solar panels were no threat to Con Ed – they’ve since been unplugged.

The stilt base was designed to turn a profit, not heads. It was almost a disaster.

The nucleus of the building’s site was owned by St. Peter’s Lutheran Church, which wanted to sell the land and use the profits to build a new church in a less valuable location. As Citicorp assembled the other pieces of the site, St. Peter’s discovered that they couldn’t locate a suitable new church site. Oops. Citicorp’s solution was to build a new church on the corner, and erect the office tower above the church. (See “Holdouts!: The Buildings That Got in the Way” by Andrew Alpern and Seymour Durst for the full story.)

With the church located on the corner, the tower supports had to be placed at the center of each wall, instead of at the corners. This, in turn, required special bracing to transfer the weight of the building to the piers.

There was a miscalculation. In determining the maximum loads, LeMessurier had considered the effect of winds perpendicular to the facades – but not “quartering” winds that would push against two sides simultaneously. Making matters worse, the steel contractor had substituted bolted joints for the much stronger (but $250,000 more expensive) welded joints that were specified. LeMessurier discovered the error and the bolt substitution a year after the building was completed. The engineer ordered wind tunnel tests and discovered to his horror that the building was vulnerable to winds over 70 m.p.h.

After urgent meetings with Citicorp, LeMessurier ordered two-inch-thick plates to be welded in place over the bolted joints. Welders worked every night for three months in a race against hurricane season. They almost lost: Hurricane Ella was headed for New York on Sept. 1, 1978 but fortunately it turned out to sea, averting a massive evacuation of the neighborhood. (The Red Cross had estimated 200,000 deaths if the building toppled.)

The massive repair project went virtually unreported for 17 years – a newspaper strike hit New York just as the repairs began; The New Yorker broke the story in 1995. Diane Hartley, a Princeton engineering student, was the hero in this drama. In the course of writing her thesis, she had questioned LeMessurier’s calculations – triggering his reevaluation of the design. LeMessurier’s unflinching disclosure of the problem is today used as a case study in professional ethics.

In 2002 the building was reinforced again – this time one of the massive base columns was encased in steel and copper to protect against a terrorist bomb blast.

The engineering crisis overshadowed Citicorp Center’s other impressive features: Double-decker elevators used interior space more efficiently; a tiered, sunken plaza beneath the building’s southwest corner provides space for sidewalk cafes and entry to the subway system; a 410-ton “tuned damper” system in the crown minimizes the building’s wind-induced swaying.

Drama notwithstanding, Citigroup Center is an impressive and attractive addition to New York’s architectural treasure chest, whether viewed from afar, up close or inside.

Citigroup Center Vital Statistics
Citigroup Center Recommended Reading

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4545 Center Boulevard

4545 Center Boulevard is a new (still leasing at this writing) apartment tower in Long Island City designed by Miami-based Arquitectonica. The balcony-studded, rippled glass facades rise 40 floors over the East River, part of the Queens West development behind the giant Pepsi sign and Gantry Plaza State Park.

An attached six-story parking garage/amenities center is topped by a 50,000-square-foot “amenity deck” indoor/outdoor recreation area, replete with deck chairs.

This was the last of five towers along three blocks developed by TF Cornerstone. (TF stands for Tom and Fred Elghanayan.)

4545 Center Boulevard Vital Statistics
4545 Center Boulevard Recommended Reading

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PS 1

PS 1, originally First Ward School, was built in 1892 when Long Island City was actually an independent city. The building’s 35 classrooms were supplemented with a new wing in 1905, which added 21 classrooms. New York City still owns the building.

The square tower at the building’s southwest corner originally had a clock and bell. The school closed in 1962; in 1978 the NYC Institute of Contemporary Art reopened the building as “Project Studios One” gallery and studio space. The Museum of Modern Art took over the museum (via merger) in 2000. MoMA appended a cast concrete entrance building to the site’s northeast corner in 2011.

The restored red brick and terra cotta structure is a joy to look at, but the concrete addition seems to shout, “Mr. Gorbachev, tear down this wall!”

PS 1 Vital Statistics
PS 1 Recommended Reading

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