Tag Archives: New York City

Towne House

Towne House stands out in the Murray Hill Historic District. Amid blocks of low rise brownstones, Towne House towers 25 floors in Art Deco brick. It replaced five mid-1800s row houses, and touched off a lawsuit by neighbors who tried to block construction.

Despite its height and architectural style, at street level the building does blend in with the block; the most remarkable aspect is Towne House’s colorfully detailed tower, which catches the eye from blocks around.

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Fraternity Clubs Building

Fraternity Clubs Building, aka Jolly Madison Towers Hotel, was built in 1923 by the Allerton Hotel Group, which specialized in club-like residence hotels. Allerton had six hotels in New York City. Now under its fifth name, the hotel still honors its past.

The Fraternity Clubs Building became Midston House in the 1930s, then Hotel Lancaster in the 1960s, then Madison Towers, and currently Jolly Madison Towers. The building is scantly covered in traditional architectural sources – but detailed on page 4 of the Delta Chi Quarterly 1994-95 Winter.

At street level the Renaissance Revival-style building is distinctive but not remarkable – the Madison Avenue facade looks a bit run down. A series of nine fraternal crests adorn the second story along both the Madison Avenue and E 38th Street facades; an unidentified bas relief ship (the Mayflower?) decorates the corner. The best views are the building’s east side, seen from Park Avenue. The tower’s tapestry brickwork, arches, arcades, octagonal cupolas, and red-tiled roofs are glorious.

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Riverside Church

Riverside Church is the tallest church in the U.S., visible for miles along Riverside Drive and Riverside Park (as is the neighboring General Grant National Memorial). Interestingly, the 392-foot tower isn’t just for the bells – it’s the equivalent of an office building. As The New York Times reported, “The tower was not simply symbolic; it held offices, social rooms, classrooms, a bowling alley, a theater and similar spaces.”

Although Riverside Church is designed in the Gothic style, it is structurally modern: A steel frame, not the too-shallow buttresses, supports the weight of the tower.

Riverside Church Vital Statistics
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Gilsey House Hotel

Gilsey House Hotel is one of the last reminders that this stretch of Broadway – between Madison Square and Herald Square – was the social center of the city. There were six theaters on the three blocks between 28th and 31st Streets; so many music publishers were on neighboring 28th Street, the sound of their pianos gave rise to the name “Tin Pan Alley.” A block west, meanwhile, was the notorious “Tenderloin” district of brothels and gambling clubs.

The Gilsey House Hotel was among the most luxurious in the city, but a legal battle between the Gilsey family and the hotel operator shut the property down. In 1911 the Gilsey House Hotel became lofts serving the garment industry. In 1980 the building was converted to condominium apartments, and the facade was restored in 1992 – though missing most of the outer set of columns, which had extended over the building line. (See the Wikipedia article for a photo of the original design.)

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300 Madison Avenue

300 Madison Avenue is the boxy glass and steel tower on 42nd Street whose mirrored facade is scored with steel fins. But it’s what’s under the skin that’s innovative.

Excavation was already under way when two events dictated radical design changes: 9/11, and the space requirements of Price Waterhouse Coopers (PWC), which leased two-thirds of the building from prime tenant Canadian Imperial Bank of Commerce (CIBC) World Market.

The owners, Brookfield Financial Properties, decided to harden the design to withstand catastrophic damage, and at the same time create large trading floors in the eight-story base for PWC. Oh, and by the way, while making the building stronger, could you remove one of the columns? Adding to the challenge, the redesign and construction had to stay within the original schedule: Move-in dates were fixed.

Engineers added bracing, used stronger steel beams, replaced some sheetrock walls with concrete, and beefed up fireproofing. Firefighting systems got additional high-capacity water tanks and sprinkler lines. The owners strengthened the electrical system with addition of backup generators. (See the Recommended Reading for details – this building is unusually well documented.)

None of this is obvious from street level. Instead, the mirror glass facade is a pleasing surprise: It makes surrounding buildings more visible, by increasing their apparent distance from the viewer. The upper floors’ fins and alternating bands of glass and steel create interesting patterns, especially because the fins vary in size. The fins save it from being Just Another Glass Box.

300 Madison Avenue Vital Statistics
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Johnston Building

Johnston Building, aka NoMad Hotel, was built in 1903 as a store and office building. It is notable for its limestone facade – an expensive finish for an office building – and for its corner tower and cupola. Last but not least, it is also notable (for 1903) that the owner was a woman: Caroline H. Johnston.

After a lengthy conversion (2008-2012) by Sydell Group, the building is now a Parisian-inspired boutique hotel with interiors designed by Jacques Garcia.

Sydell Group also operates the Ace Hotel – the former Breslin Hotel – located one block to the north.

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St James Building

St James Building was among the earliest highrise office buildings in the NoMad neighborhood, replacing the St. James Hotel. It is considered among Bruce Price’s most important designs, after Quebec City’s Château Frontenac Hotel.

The St James Building was a favorite home for architects, including Daniel Burnham, Henry Pelton and John Russell Pope – as well as Bruce Price. Remarkably, after more than 115 years the building is still home to dozens of architects.

The steel-framed building follows the traditional base-shaft-capital design; the base and capital are of limestone, with prominent arched windows and bays; the shaft is of brick indented to simulate the deep rusticated joints of stone. Elaborate and massive terra cotta decoration is used throughout.

Architect Bruce Price has another claim to fame: Price invented, patented, and built the parlor bay-window cars for the Pennsylvania Railroad and the Boston and Albany Railroad. (See Wikipedia.)

Historical Note: Washington didn’t sleep here, but Golda Meir worked here in the early ’30s according to “All Around the Town: Amazing Manhattan Facts and Curiosities, Second Edition (Empire State Editions).”

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McIntyre Building

McIntyre Building is one of New York’s quirky oddities. For starters, people can’t agree on its architectural style, because architect Robert H. Robertson mixed several styles in the design. People don’t always agree on the building’s name – it was built by Ewen McIntyre, but the lobby mosaic spells it “Mac Intyre” – and the typo is how many refer to 874 Broadway. The owner was a druggist, but he never used the building – the ground floor was occupied by a now-defunct bank.

Over the years, occupants sometimes blurred the lines. In the ’60s, people started to live in the building – though it didn’t have a residential occupancy permit. A seventh-floor nightclub, Cobra Club, operated illegally in the ’70s. The club’s trademark snakes reportedly escaped the glass terrariums from time to time, and live snakes were reported on the loose for years after. It’s currently a co-op – and one that’s spent big bucks to preserve the McIntyre Building’s unique style. The residents even paid to restore century-old wooden windows rather than replace them with modern metal sashes.

McIntyre Building Vital Statistics
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Engine Company 14

Engine Company 14 is typical of early New York City firehouses – typically ornate, that is. The Department’s official architect, Napoleon Le Brun, made each house different.

The care given to firehouse design reflected the Fire Department’s campaign to raise the department’s professionalism, as it shifted from a volunteer to paid force.

Engine Company 14 Vital Statistics
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Hotel York

Hotel York, converted to rental apartments in 1986, is now known as The York. The Beaux Arts limestone, brick, and terra cotta facade was grievously altered on the ground floor with a pale green glass skin framing storefronts.

On the second story and above, the original terra cotta and iron decoration is in bold relief against the limestone and red brick facade.

At least 18 of Harry B. Mulliken’s hotels and apartment houses, built in 1900-1915, still survive in Manhattan – including The Lucerne.

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