Tag Archives: New York City

One Kenmare Square

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One Kenmare Square is a modern addition to SoHo, with a wavy brick and glass face that breaks the building line – as if its towering form and made-up address wasn’t enough to make it stand out. (Kenmare Square no longer exists – the park of that name was renamed in 1987.)

Except for the undulating Lafayette Street facade, the design is minimalist: No decoration softens the industrial-grey brick. The ribbon windows are reminiscent of the Starrett-Lehigh Building (warehouse/office complex) in West Chelsea.

One Kenmare Square Vital Statistics
  • Location: 210 Lafayette Street at Kenmare Street
  • Year completed: 2005
  • Architect: Gluckman Mayner Architects
  • Floors: 12
  • Style: postmodern
One Kenmare Square Recommended Reading

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Langham Place

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Langham Place (formerly Setai Fifth Avenue) is a towering grid of limestone, concrete and glass with emphatic vertical lines that mimic the nearby Empire State Building.

The 57-story building is a mix of retail (floors 1-3), 214-room hotel (4-26), and 164 condominium apartments (28-56). The 10-story limestone base has a rounded corner; a 46-story sheer concrete tower sits atop that. Unusual floor-to-ceiling windows – two panes angled with the bottom pane facing down, top pane facing up – are paired in columns all around. On the residential floors, corner apartments have wrap-around windows. The windows give Langham Place’s facade a unique faceted texture – quite striking from nearby.

The two-story flared stainless steel crown hides water tanks and other mechanical details, and elevator machinery. The crown is illuminated at night.

Among other notable projects in New York City, Gwathmey Siegel & Associates designed the U.S. Mission to the United Nations, W New York Downtown, and Astor Place Tower.

Langham Place Vital Statistics
  • Location: 400 Fifth Avenue at W 36th Street
  • Year completed: 2010
  • Architect: Gwathmey Siegel & Associates
  • Floors: 57
  • Style: Postmodern
Langham Place Recommended Reading

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275 Madison Avenue

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275 Madison Avenue (originally known as 22 E 40th Street) is an Art Deco landmark in midtown Manhattan. Its polished black granite and silver base continues to be a striking presence more than three quarters of a century after construction. (If only mere mortals had such staying power!)

In contrast to other commercial buildings of the day, 275 Madison had almost no decoration above the base. The tower was promoted as a “shadowless” skyscraper (because there were no projecting cornices, sculptures or other features to cast shadows), though some critics say the lack of ornament was simply a cost-saving measure dictated by the stock market crash. The building’s vertical lines are accentuated by dark columns of windows against a white-brick background.

Architect Kenneth Franzheim is best known for his work in Houston, for Houston-based developer Jesse Jones. It was Jones’ New York-based firm, Houston Properties Corporation, that developed 275 Madison Avenue with New York Trust as the prime tenant. (The bank owned two of the five lots used to build the tower.) In 1933, Johns-Manville Corporation leased 14 floors, so the structure is sometimes called the Johns-Manville Building. However, Johns-Manville already had its own building a block away, on Madison Avenue at E 41st Street.

Despite 275 Madison Avenue’s address, the tower’s main entrance is actually on E 40th Street – and the building was originally known as 22 E 40th Street.

At this writing, 275 Madison Ave. is owned by RFR Realty.

275 Madison Avenue Vital Statistics
  • Location: 275 Madison Avenue at E 40th Street
  • Year completed: 1931
  • Architect: Kenneth Franzheim
  • Floors: 43
  • Style: Art Deco
  • New York City Landmark: 2009
275 Madison Avenue Recommended Reading

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Stewart Building

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Stewart Building, in the shadow of Langham Place, narrowly missed being under an office tower; landmark designation saved it, and the Wedgewood-like terra cotta still owns the corner of Fifth Avenue and W 37th Street.

(See The 1914 Stewart Building; A Delicate Work of Ceramic in the Path of a Tower for the full story.)

Architecturally, the Stewart Building’s claim to fame is the unusual mix of Chicago School style and neo-Classical design. The neo-Classical side brings the building’s blue-gray terra cotta cladding. The Chicago Style attributes include the three-part “Chicago Windows,” steel frame, and base-shaft-crown vertical design.

The Stewart Building was originally owned by Robert Walton Goelet – part of one of New York’s wealthiest families, with real estate holdings second only to the Astor family. Architects Warren & Wetmore also designed New York landmarks New York Central Building (aka Helmsley Building), the Heckscher Building, and Steinway Hall, among others. The builder was the George A. Fuller Company, which built thousands of buildings in New York and elsewhere – including the Plaza Hotel, United Nations headquarters, Lever House and Seagram Building.

Stewart Building Vital Statistics
  • Location: 402-404 Fifth Avenue at W 37th Street
  • Year completed: 1915
  • Architect: Warren & Wetmore
  • Floors: 8
  • Style: neo-Classical
  • New York City Landmark: 2006
Stewart Building Recommended Reading

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1407 Broadway

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1407 Broadway “is the dashingly inventive 1407 Broadway, from 38th to 39th Streets, built in 1950. Strip windows punctuate this intelligent, angular structure, and the green brick and rich red window framing make it an oasis in the near desert of early postwar architecture,” Christopher Gray wrote in The New York Times.

The building’s International style design is certainly a bright, colorful contrast with the Garment District’s 1930s loft buildings in Renaissance or Romanesque Revival style. 1407 Broadway also stands out because the tower is aligned with the Manhattan street grid, instead of with Broadway. The Plaza in front of 1411 Broadway (on the block north of 1407) makes the view from uptown particularly striking.

Though some have tried to get NYC Landmark status for 1407 Broadway, that hasn’t happened, yet.

1407 Broadway Vital Statistics
  • Location: 1407 Broadway between W 38th and W 39th Streets (W 39th Street wing extends to 7th Avenue)
  • Year completed: 1950
  • Architect: Ely Jacques Kahn
  • Floors: 42
  • Style: International
1407 Broadway Recommended Reading

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Union Square and Vicinity II

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Union Square was once known for political rallies and the annual May Day rally. The park was overrun by druggies in the ’70s. Union Square has since been cleaned up – figuratively and literally – with new fences, new landscaping and new pavement from East 14th Street to East 17th Street. The peddlers are still out in force, though their products are now veggies, art and souvenirs instead of drugs.

While the square itself has gone through a transformation, many of the buildings ringing the park have retained their 19th century appearance. Here are some favorites:

  • One Union Square West aka Lincoln Building; R. H. Robertson, architect; Romanesque Revival; built 1900; NYC Landmark 1988
  • 5-9 Union Square West aka Spingler Building;
  • 31 Union Square West aka Bank of Metropolis Building; Bruce Price, architect; neo-Renaissance; built 1903; NYC Landmark 1988
  • 33 Union Square West aka Decker Building aka Union Building; John H. Edelmann, architect; Venetian/Islamic styles; built 1893; NYC Landmark 1988
  • 41 Union Square West aka Hartford Building; Beaux Arts; built 1895
  • 33 E 17th Street aka Century Building (now Barnes & Noble bookstore);
  • W Union Square Hotel; formerly Germania Life Insurance Company Building
  • 864 Broadway aka McIntyre Building; R. H. Robertson, architect; neo-Gothic; built 1892; in Ladies Mile Historic District

One landmark that didn’t survive is the S. Klein “On The Square” department store that sat empty for many years – now replaced by the Zeckendorf Towers.

Union Square Vital Statistics
  • Location: E 14th to E 17th Streets, between Park Avenue South and Union Square West
  • National Register of Historic Places: 1997
Union Square Recommended Reading

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Decker Building

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Decker Building (aka Union Building) is a delight to look at, and fascinating in its history. The white, 12-story limestone and brick facade is lavishly decorated with lacy terra cotta patterns. The windows – some with Venetian-style Juliet balconies – are elaborate works of art in themselves. And the two-story tower, once topped by a minaret, is filled with Moorish ogee (horseshoe) arches.

As befits such a radical building, the Decker Building was designed by John Edelmann, a Cleveland, Ohio-born anarchist so radical that he was expelled from the Socialist Labor Party. At the time, Edelmann was working for New York architect Alfred Zucker. (Louis H. Sullivan, a much more prominent architect, credited his success to Edelmann.)

The original owner, and tenant until 1913, was The Decker Piano Company. The building was then acquired (and renamed Union Square Building) by Lowenfeld & Prager, which traded the property in 1916. In more recent years, The Union Building reverted to The Decker Building. Andy Warhol’s second “Factory” was located on the sixth floor from 1968 to 1974. This is where, in 1968, playwright Valerie Solanas shot Andy Warhol and art critic Mario Amaya.

The building was sold in foreclosure in 1994 to Windsor Construction Company; architect Joseph Pell Lombardi oversaw restoration of the facade. The building now houses a ground floor store and 18 residential units.

Decker Building Vital Statistics
  • Location: 33 Union Square West
  • Year completed: 1893
  • Architect: John H. Edelmann
  • Floors: 12
  • Style: Moorish Revival and Venetian
  • New York City Landmark: 1988
  • National Register of Historic Places: 2003
Decker Building Recommended Reading

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Grand Madison Apartments

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Grand Madison Apartments is now in its third life. It was originally conceived as a replacement for the Brunswick Hotel, but built as offices instead under the name Brunswick Building. Later it became a showroom center, the Gift and Art Center Building. And since 2006, it has been luxury condominium apartments, attracting the likes of Chelsea Clinton and her husband (who have since moved, but I felt like name-dropping).

Curiously, although Grand Madison Apartments overlooks Madison Square Park and the Flatiron Building, the official website identifies instead with Gramercy Park – eight blocks away.

Grand Madison Apartments Vital Statistics
  • Location: 225 Fifth Avenue between E 26th and E27th Streets
  • Year completed: 1907
  • Architect: Francis H. Kimball and Harry E. Donnell
  • Floors: 12
  • Style: Beaux Arts
  • New York City Landmark: June 26, 2001
Grand Madison Apartments Recommended Reading

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Library Hotel

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Library Hotel, a Gothic Revival sliver on Madison Avenue at E 41st Street, stands out. Literally. The building’s distinctive copper-skinned bay windows project out from the building line, so occupants can look straight up Madison Avenue.

Built in 1913, the 12-story office building was originally headquarters of the Fred F. French company, a vertically-integrated real estate/architectural/construction firm. French eventually moved to Fifth Avenue and the character (and number) of tenants at 299 Madison changed over the years, until it lay vacant in the 1990s.

In 1999 new owners converted the offices into a library-themed boutique hotel – somehow fitting six rooms into each 25-by-100-foot floor. Stephen B. Jacob Group was the conversion architect.

Library Hotel Vital Statistics
  • Location: 299 Madison Avenue at E 41st Street
  • Year completed: 1913
  • Architect: Hill & Stout
  • Floors: 12
  • Style: Gothic Revival
Library Hotel Recommended Reading

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Museum of Arts & Design

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Museum of Arts & Design is, by almost all accounts, an improvement over the former Gallery of Modern Art – on the inside. But the exterior changes brought forth a firestorm of criticism and even charges that the museum tried to subvert the Landmarks Preservation Commission. Preservationists wanted to keep the Edward Stone-designed facade intact; the museum envisioned radical changes.

The issue was never formally considered by the Commission – no public hearings were ever held. The Department of Buildings issued the necessary permits, and reconstruction proceeded according to Allied Works/Brad Cloepfil plans.

One might consider the glass-slashed design bizarre – but there were also many who felt pretty strongly that the old design was also bizarre.

Personally, I was not a fan of the old design. Eight windowless floors of marble was too cold – like a tombstone or a Verizon switching center. I’m not too fond of the new design, either, but it strikes me as at least more dynamic and in keeping with the swirling traffic of Columbus Circle.

Meanwhile, back on the inside… Those slashes in the facade bring natural light into the galleries where before there was none. And the stairs were redone so they’re usable, not just emergency exits; it’s easier to get up, down and around the building. Those improvements appear to have been made without sacrificing wall or gallery space, so I’d count that as a net gain.

The “Recommended Reading” links explore the history and controversy in depth; the Steel Institute and Allied Works links reveal under-the-skin construction details. Enjoy!

Museum of Arts & Design Vital Statistics
  • Location: 2 Columbus Circle
  • Year completed: 1964; reconstruction: 2008
  • Architect: Edward Durell Stone; redesign: Brad Cloepfil
  • Floors: 11
  • Style: Postmodern
Museum of Arts & Design Recommended Reading

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