Tag Archives: Manhattan

Switch Building

Switch Building is an attempt to be “cool” yet stay in character with the neighborhood. So while 109 Norfolk has the same building line and approximate height as 111 Norfolk, Switch Building has a steel facade as opposed to brick, with windows on alternating floors angled counter to each other like oversized rocker switches (hence the name).

Some time after plans were drawn and construction started, the “neighborhood” constraint seems to have disappeared – the towering Blue condominiums next door certainly shattered that concept. One wonders what nArchitects would have planned without that constraint.

Another requirement of the building permit was that there be ground floor “community access” space, so a two-story (ground floor and basement) art gallery was included in the plan.

Above the gallery are four floor-through apartments with rear balconies (staggered, so each balcony gets maximum sun); a duplex penthouse apartment is above that.

Switch Building Vital Statistics
Switch Building Recommended Reading

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Eventi Hotel-Beatrice Residences

Eventi Hotel-Beatrice Residences is a recent 53-story mixed-use tower at the edge of Chelsea. The lower 24 floors are the 290-room hotel operated by Kimpton Hotels & Restaurants; floors 25 though 53 contain 302 luxury rental apartments and a residents’ lounge. The Eventi Hotel lobby opens on Sixth Avenue, while Beatrice Residences lobby opens on W 29th Street.

The facades of the hotel floors are precast concrete panels interspersed with large floor-to-ceiling windows in alternating patterns; the apartment floor facades are almost solid glass; the two sections are separated by a black band – a mechanical floor.

The hotel’s restaurants face the mid-block plaza – which is dominated by a jumbotron display. Windows in the four-story base can be lit with LEDs for a colorful display at night. A three-level, 500-car garage sits under the hotel.

Eventi Hotel-Beatrice Residences Vital Statistics
Eventi Hotel-Beatrice Residences Recommended Reading

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New York Times Building

New York Times Building, called the ugliest building in New York City by the American Institute of Architects, is nonetheless impressive in many ways. The exposed frame, ceramic-rod screen, monumental logo and sheer height make it stand out even in a neighborhood filled with buildings that scream for attention.

(Some critics say it was crazy for the Times to spend nearly half a billion dollars for a new headquarters (58% ownership of the $850 million cost) while the paper’s fortunes are shrinking – but that’s neither an architectural nor an aesthetic argument.)

The New York Times Building’s innovative ceramic rod screen – which dramatically cuts energy costs by blocking solar heat – became an embarrassment: Four climbers (so far) have used the screen as a ladder to scale the 52-story facade. The first climber said he did it to protest global warming: Ironic, as his action discourages use of this technology to cut greenhouse gas emissions.

The high-tech lobby, meanwhile, revives and updates an old newspaper tradition: the news is on display for passers-by.

New York Times Building Vital Statistics
New York Times Building Recommended Reading

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Standard Hotel

Standard Hotel, as they are fond of saying, is not your standard hotel. Perched 30 feet above the High Line park, it’s shaped like an open book – a book that’s also open in the sense that the facades are transparent (not mirrored or tinted) glass.

All that glass makes rooms seem larger than they are, but sometimes guests forget(?) to close the drapes, leading the NY Post to dub the Standard Hotel the “eyeful tower.”

The building’s design and location presented some unique engineering challenges. Engineers had to cope with the soil conditions (landfill), flood resistance, a high water table, and strict limits on how close to the existing High Line structure they could build. The Council on Tall Buildings and Urban Habitat case study describes how Ennead Architects met those challenges.

For all of the Standard Hotel’s non-standard features, the property did try to blend in at street level: The Standard Grill restaurant was constructed with salvaged brick, in a style that closely mimics the meatpacking warehouses of the neighborhood. You’d never guess that it was new construction.

Standard Hotel Vital Statistics
Standard Hotel Recommended Reading

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Jane Hotel

Jane Hotel, built in 1908 as the American Seamen’s Friend Society Sailors’ Home and Institute, once hosted Titanic survivors. It was designed by William A. Boring, who was also the architect for Ellis Island’s immigration station. Restored in 2008, the Jane Hotel now hosts financial survivors – in tiny rooms with shared bath priced as low as $79 per night.

The distinctive octagonal tower originally had a beacon, to welcome sailors. The beacon is gone, but other nautical connections remain. For starters, Jane Hotel rooms are called cabins. How tiny? A “remarkably cozy” 50 square feet. Some with bunk beds. The New York Times quipped, Popeye Slept Here and Now Olive Oyl Can, Too. the developers, Sean MacPherson and Eric Goode, also run the Maritime Hotel – a former sailor’s hostelry run by the National Maritime Union.

In 1931 the Home and Institute was downgraded to annex status, and in 1944 the YMCA took over the property, removing the beacon in 1946. Also in 1946, YMCA sold the building; it changed hands several more times over the years, finally becoming Riverview Hotel before MacPherson and Goode took over. (See the Corbin Plays portfolio for historic photos of the building with beacon. The PreservationNation Blog has current interior photos.)

In the 1970s and until 2005, the Jane Street Theater called this home.

The Greenwich Village waterfront now attracts joggers instead of sailors. The Jane Hotel is an architectural reminder of New York’s history as a seaport – and a haven (says the hotel) for travelers “with more dash than cash.”

Jane Hotel Vital Statistics
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One Jackson Square

One Jackson Square is pretty slick – on two levels. As architecture, the building’s 11 floors of undulating ribbon windows, composed of random-width panes, are an arresting composition. As blatant modernism blessed by the NY Landmarks Preservation Commission, the building is a coup; its architects argued essentially that the building’s very quirkiness is a perfect match for a neighborhood synonymous with idiosyncrasy. Besides, the glass facades reflect the historic surroundings.

The Landmarks Preservation Commission had to approve the plans because the site is within the boundaries of the Greenwich Village Historic District. The One Jackson Square site had been a parking lot at the time that the district was designated.

The condo project faced a few design and engineering challenges: The site is an odd shape, so the curved facade masks the unusual angle formed by Greenwich Avenue with Eighth Avenue. The site also spans two building code zones, so the Eighth Avenue section rises to 11 floors, while the Greenwich Avenue section is limited to seven. One Jackson Square is also on top of subway tunnels, so piles had to be driven around the tunnels to bedrock; additionally, isolation springs and pads protect the tunnels while protecting the apartments from vibrations of passing trains. Last but not least, the free-form ribbon windows had to be assembled in small sections off-site, then connected to each other and to the concrete floor slabs.

I’m not quite sure if I should apologize or take a bow: The “Suggested Reading” section is exceptionally long, because of the variety of technical, artistic and social issues involved. The “Forgotten New York” virtual tour is for the benefit of those not familiar with the Greenwich Village context. – K.G.

One Jackson Square Vital Statistics
One Jackson Square Recommended Reading

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Lipstick Building

The Lipstick Building – officially named “53rd at Third” – is New York’s most distinctive architecture; its shape and color are impossible to confuse with any other skyscraper.

The developer, Gerald D. Hines Interests, asked for a shape that would stand out – and make “every office a corner office.” Hines, incidentally, was also the developer of curvilicious One Jackson Square and flare-topped 425 Lexington Avenue.

Architect Philip Johnson likely didn’t need much encouragement – he designed the Sony Building (originally AT&T headquarters), nicknamed the “Chippendale Building” for its massive split pediment roofline.

The rationale for such a dramatic and expensive building (polished red granite doesn’t come cheap) was to attract high-rent tenants to the then (1986) less-desirable neighborhood. Apparently that strategy didn’t quite work: the building’s owners went bankrupt in 2010.

Although the so-called Lipstick Building is best known for its 34-story elliptical telescoping shaft, there’s a nine-story box behind the shaft that is also part of the site. The box for the lipstick?

Of historical note: This is where Bernie Madoff made off with $65 billion. His companies leased the 17th through 19th floors.

Lipstick Building Vital Statistics
Lipstick Building Recommended Reading

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Morgan Court

Morgan Court is the New York sliver building, by virtue of being the set of the Sharon Stone movie “Sliver” as well as by its 33-foot-wide architecture.

Sliver buildings are the tall thin buildings that tower over their neighbors to become visual sore thumbs. This particular sliver building was thin in a second dimension: The foundation was finished one day before a zoning law that would have prohibited the structure went into effect. Morgan Court is a good 20 stories higher than its neighbors, which include the landmarks Church of the Incarnation and the Morgan Library and Museum.

To their credit, Liebman & Liebman Architects did make the building visually interesting, not just tall and skinny. The ribbon windows, curved southern corners, interlocking balconies on the front (Madison Avenue), and comb-like balconies at the northeast corner are more pleasing than some possible alternatives. The ribbon windows and balconies also have the effect of de-emphasizing Morgan Court’s height.

(Morgan Court takes its name from its proximity to the Morgan Library and Museum, a half block to the north on Madison Avenue.)

Morgan Court Vital Statistics
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Mondrian

Le Mondrian – now Anglicized to The Mondrian – wears a colorful grid that lives up to its name despite the rounded corner. The tower is certainly among New York’s most colorful pieces of architecture.

The name came years after the glass-enclosed condo was finished, however. The 1992 structure was originally Le Palais – an unluckily timed condo that sat vacant for two years. New owners held a naming contest, and Le Mondrian was the winner. “Music Box” might be an equally appropriate name, for the way that balconies intersect the tower’s curved northeast corner.

But by any other name, this eye candy would look as sweet in a neighborhood known for its polished geometric icons: Lipstick Building, CitiGroup Center, and 599 Lexington Avenue are just down the block.

Mondrian Vital Statistics
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One Broadway

One Broadway is a building within a building: Strip away the 1921 Neo-Classical white limestone skin and you’ll find a red brick and brownstone Queen Anne-style structure built in 1887.

(For a rare look at the “before,” take a look at Archiseek‘s article.)

Also beneath the facade, you’ll find layers of history – condensed here from the NYC Landmarks Preservation Commission report:

The 1887 building, built on the site of a home reputedly used by General Washington, was named the Washington Building. It was built for Cyrus W. Field, whose Atlantic Telegraph Company laid the first transatlantic telegraph cable. The architect, Edward H. Kendall, also designed the Gorham Mfg. Building and the Methodist Book Concern.

J.P. Morgan’s International Mercantile Marine Company (IMMC) bought the building in 1919; Walter B. Chambers re-designed the structure inside and out. With competitor Cunard Line just a few doors up Broadway, the International Mercantile Marine Company Building became the anchor for “Steamship Row.” IMMC operated numerous subsidiaries, including Titanic‘s White Star Line. By 1940 internal mergers reduced the company to United States Lines, which took over the building from 1941 to 1979. Allstate Life Insurance Co. bought the building at a foreclosure sale in 1992 and financed a $2 million restoration in 1993-1994.

The building is now occupied by a branch of Citibank and Kenyon & Kenyon LLP – an intellectual property law firm.

One Broadway Vital Statistics
One Broadway Recommended Reading

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