Tag Archives: Manhattan

Beekman Tower Hotel

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Originally known as Panhellenic Tower, the 28-story Beekman Tower Hotel was conceived by the New York Chapter of the Panhellenic Association in 1921 as a 14-story residence for female college grads. The association of Greek-letter college sororities wanted to provide affordable housing for women who were just entering the workforce in the years after World War I.

The building was completed in 1929 – delayed until the association raised enough money (through stock and mortgage) to buy land and build. The architect, John Mead Howells, also designed Pratt’s Memorial Hall and Columbia’s St. Paul’s Chapel. However, Howells was the Panhellenic Association’s second choice: Their original architect, Donn Barber, died before the land was purchased.

The building’s name changed to Beekman Tower Hotel and its clientele changed to include men during the 1930s, to stay viable through the Depression.

The lighter-colored bricks seen today are the result of repairs in 1996-97; originally the tower had a uniform orange-tan color. The deeply recessed columns of windows give the building its strong vertical lines. The glassed-in “Top of the Tower” enclosure was added in 1959.

While cited as an example of Art Deco architecture, the building’s decoration is relatively sparse (compared to other NY examples such as Rockefeller Center, Chanin Building and Chrysler Building). Greek-letter tiles on the ground floor reveal the hotel’s sorority lineage.

Beekman Tower Hotel Vital Statistics
  • Location: 3 Mitchell Place at First Avenue
  • Year completed: 1929
  • Architect: John Mead Howells
  • Floors: 28
  • Style: Art Deco
  • New York City Landmark: 1998
Beekman Tower Hotel Suggested Reading

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General Electric Building

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The General Electric Building (like the GE Building in Rockefeller Center) was originally designed for RCA-Victor (the merged Radio Corporation of America and Victor Talking Machine Corporation) in 1929. RCA wanted a headquarters building to express the company’s identity.

Architects Cross & Cross designed a 50-story Gothic/Art Deco tower rich in electricity/radio wave symbolism to convey RCA’s corporate identity. The brick and terra cotta design was crafted to blend in with its neighbors on the block, St. Bartholomew’s Church to the west and (St. Patrick’s) Cathedral High School to the south. (The high school has since been replaced.)

While the building was under construction, RCA negotiated independence from parent General Electric – and a move to an even bigger headquarters in Rockefeller Center. As part of the settlement, General Electric took over the tower at Lexington Avenue and E51st Street. Luckily, the electric bolts and radio waves also worked for GE’s identity. Only the logo on the corner clock seems to have been changed!

The General Electric Building was completed in December 1931; in the mid-1980s the windows were replaced. The building achieved NYC landmark status in July 1985. In 1995 the building was donated to Columbia University, which extensively restored the structure – notably the lobby. Entered into the National Register of Historic Places in January 2004.

General Electric Building Vital Statistics
  • Location: 570 Lexington Avenue at E 51st Street
  • Year completed: 1931
  • Architect: Cross & Cross
  • Floors: 50
  • Style: Art Deco
  • New York City Landmark: 1985
  • National Register of Historic Places: 2004
General Electric Building Suggested Reading
  • Landmarks Preservation Commission designation report
  • Docomomo entry (Docomomo stands for the documentation and conservation of buildings, sites and neighborhoods of the modern movement)

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100 United Nations Plaza

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100 United Nations Plaza, a 52-story wedge-topped condo monolith, dominated Turtle Bay until the Trump World Tower was built next door in 2001. (Appropriately, Trump World Tower looks as though it came right out of the movie “2001, A Space Odyssey.”)

Completed in 1989, the building is layered brick and glass containing 267 condominium apartments. The north and south facades of this giant arrow are different: The uptown side sports three columns of balconies; the downtown side has five columns of triangular balconies. Entry to the building is through a landscaped plaza on East 48th Street (327 E 48th Street, to be exact), deeply offset from First Avenue.

Apartments range up to six BR/six bath, and have nine-foot ceilings and floor-to-ceiling windows; all are fitted with luxury appliances. The building amenities include garage and a fitness center with pool.

100 United Nations Plaza Vital Statistics
  • Location: 327 E 48th Street between First and Second Avenues
  • Year completed: 1989
  • Architect: Der Scutt Architects and Schuman, Lichtenstein, Claman & Efron
  • Floors: 52
  • Style: Postmodern
100 United Nations Plaza Suggested Reading

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Historical Societies

Bronx, Brooklyn, Collections, Guides, Manhattan, Queens, Staten Island, , , , , ,

You’ll find historical societies in all five boroughs of New York; as you’ll see, they are architecturally interesting in themselves, and are valuable resources for learning more about the boroughs’ history.

Here are some capsule reviews of each, with contact info. Be sure to get current visitor and exhibit information – some sites have very limited hours of operation.

New York Historical Society

New York Historical Society

The New York Historical Society is both the oldest and among the youngest museums in New York. It was founded in 1804, but the building was renovated and reopened in November 2011. It now includes state-of-the-art interactive displays on three exhibit floors and a spectacular multimedia show – “New York Story” – which by itself is almost worth the price of admission. (The 18-minute show screens every half hour.) The Society is also young in its approach to history – it has a sense of humor that pops up and keeps the exhibits fresh. Where else would you find a “Beer Here” exhibit?

The permanent collection is displayed on the fourth floor (which has its own mezzanine); changing exhibits are on the first and second floors; a children’s museum, library and classrooms are on the lower level. The first floor also contains the auditorium, gift/book shop and cafe. New York Historical Society goes to great lengths to make its collection accessible to all – mobility, sight and hearing impairments are all accommodated.

The New York Historical Society museum and library covers all of New York City – unlike the other societies, which focus on single boroughs. Consequently, there’s some overlap between this museum and the Museum of the City of New York on Fifth Avenue.

Note that the Society’s library closes earlier than its museum – 3 p.m. Tuesday-Friday and 1 p.m. on Saturday (closed Sunday).

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Museum of the City of New York

Museum of the City of New York

This is not one of the historical societies, strictly speaking – it’s a New York City-operated museum which serves many of the same purposes.

You might also be interested in the Queens Museum of Art (which has a massive city panorama, updated from the original 1964 NY World’s Fair).

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Bronx County Historical Society

The Museum of Bronx History operates out of the Valentine-Varian House, a fieldstone farmhouse built in 1758. The Society also maintains a separate archive/library and the nearby Poe House (see below). In addition, the society operates tours.

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Poe Cottage

Poe Cottage

(Operated by Bronx County Historical Society)

This is where Edgar Allan Poe spent his last years; where his wife died and where he wrote some of his most memorable works. The docent gives an excellent talk about Poe, his life and times; there’s also an informative video shown in an upstairs bedroom. In the adjacent park, the Parks Department operates an educational center.

And if you need another reason to visit, the immediate neighborhood is rich in architectural treasures – including Kingsbridge Armory, two blocks west.

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Brooklyn Historical Society

Brooklyn Historical Society

Founded as the Long Island Historical Society in 1863; changed its name to Brooklyn Historical Society in 1985. The building is still going through restoration – the main floor gallery is the current (as of September 2012) project; most other areas, inside and out, are stunningly beautiful. In addition to the exhibit galleries, the Society houses an impressive research library.

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Queens Historical Society

Queens Historical Society

The Queens Historical Society operates out of Kingsland Homestead in Flushing, next to the historic Bowne House (currently closed for restoration). It’s a small operation, open only a few hours on just three days a week. But they do have a good selection of publications – books and pamphlets – about other historic sites in Queens. And, it’s a part of the Flushing “Freedom Mile” walking tour that includes 10 other significant buildings. (Kingsland Homestead was a part of the “Underground Railroad.”)

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Staten Island Historical Society

Church of St. Andrew

Historic Richmond Town is a score of restored/reconstructed homes, farms, businesses, schools and churches, dating from the 1700s and 1800s. It’s quite rural compared to the rest of the city and very popular for school outings. There are several themed tours – consider this an all-day trip – or several trips!

If you’re very ambitious, there’s a Frank Lloyd Wright-designed home (see “The Wright Stuff” gallery.) and a lighthouse at the top of the hill overlooking Historic Richmond Town, and a beautiful church and cemetery across the street.

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Other Sites of Interest

Seagram Building

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After half a century, the elegant, glowing bronze Seagram Building on Park Avenue remains a landmark in several realms: New York City, structural engineering, architectural style, corporate identity, personal achievement and more.

New York City’s Landmark Preservation Commission bestowed landmark status on October 3, 1989, recognizing the structure as an architectural treasure. In terms of structural engineering, the steel-and-concrete dual framing system was the first of its kind for a tall building, and the first tall building to use high-strength bolts (instead of rivets). The architectural style – International Style – had become the mode for new office buildings. (Though New York’s first curtain wall structure following Mies van der Rohe’s principles – Lever House – stood across the street.) To achieve the purity of the design, Seagram president Samuel Bronfman purchased enough land to create a large plaza (avoiding the typical wedding cake setbacks of other tall buildings) and budgeted for a lavish bronze and glass curtain wall. The 38-story tower is Mies van der Rohe’s only New York project – but it is considered his finest.

The Seagram Building’s bronze glow is achieved through tinted glass, backed by ceiling light panels all around. Mies even dictated three-position (fully open, half open, fully closed) window blinds with slats fixed at 45 degrees, to ensure a uniform appearance. As Mies would say, “God is in the details.”

The building’s owners change the plaza sculptures periodically, and provide occasional concerts.

Seagram Building Vital Statistics
  • Location: 375 Park Avenue between E 52nd and E 53rd Streets
  • Year completed: 1958
  • Architect: Ludwig Mies van der Rohe, Philip Johnson, design architects with Kahn & Jacobs, associate architects
  • Floors: 38
  • Style: International
  • New York City Landmark: 1989
  • National Register of Historic Places: 2006
Seagram Building Suggested Reading

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Lever House

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Lever House (1952) was New York’s first curtain wall skyscraper, beginning Park Avenue’s switch from masonry to glass buildings. The 24-story green glass tower gave impetus to the International Style of Ludwig Mies van der Rohe. What’s more, it led the owner to switch careers, from sales back to architecture! Lever Brothers president Charles Luckman quit the company before Lever House was completed, moved to California and his first love, architecture. (He had trained for architecture at the University of Illinois, but was sidetracked to sales during the Great Depression.)

Though Luckman was involved in Lever House’s design, the architect of record was Gordon Bunshaft of famed Skidmore, Owings and Merrill.

Lever House avoided the typical “wedding cake” skyscraper design by occupying less than 25 percent of its lot (an exception to the 1916 zoning law that dictated stepped setbacks to permit sunlight to reach the street). Lever House’s success was widely copied by other tower and plaza designs (notably Mies van der Rohe’s masterpiece Seagram Building, diagonally across the street!).

Most of the Lever House ground floor is open plaza; the glass-enclosed portion includes an art gallery open to the public.

Along with the steel and glass curtain walls came another timely innovation: a window-washing gondola mounted on a rooftop track!

While the NYC Landmarks Preservation Commission gave Lever House Landmark status November 9, 1982, the building’s original steel and glass facade had deteriorated. In 1998 Unilever sold the building; the new owners replaced the crumbling steel and glass with an aluminum and glass curtain wall – completed in 2001 and again designed by Skidmore, Owings and Merrill.

Lever House Vital Statistics
  • Location: 390 Park Avenue between E 53rd and E 54th Streets
  • Year completed: 1952
  • Architect: Gordon Bunshaft of Skidmore, Owens & Merrill
  • Floors: 24
  • Style: International
  • New York City Landmark: 1982
  • National Register of Historic Places: 1983
Lever House Suggested Reading

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Bloomberg Tower

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Bloomberg Tower, aka 731 Lexington Avenue, aka One Beacon Court, is an imaginative 55-story* mixed-use building that occupies the site of the former Alexander’s department store** – the entire block bounded by Lexington and Third Avenues and E58th and E59th Streets. The bottom floors are retail stores and banks; the middle floors are offices – primarily Bloomberg LP; and the top floors are luxury condominium apartments.

The tower may be considered three buildings: A 55-story high-rise on Lexington Avenue, an 11-story building on Third Avenue, and a seven-story atrium – One Beacon Court – bridging the two, like a glass-and-steel semicolon. Vornado Realty Trust was the developer, César Pelli & Associates was the architect.

To accommodate the different needs of commercial and residential space, the lower 30 floors are built on a steel frame; the top 25 floors are concrete. The five-story crown – a bright white beacon at night – contains mechanical equipment, including a tuned mass damper to offset any wind-induced swaying.

While Bloomberg Tower is a child, age-wise (completed 2004), it’s a giant among New York’s residential buildings among the tallest in New York City.

* The building height ranges between 53 and 55 stories, depending on source. The owner’s website states 55 stories.

** I must confess, Alexander’s was demolished before I got re-interested in architecture. The only thing I remember about the store is that lingerie was on the first floor.

Bloomberg Tower Vital Statistics
  • Location: 731 Lexington Avenue between E 58th and E 59th Streets
  • Year completed: 2004
  • Architect: César Pelli & Associates
  • Floors: 55
  • Style: Postmodern
Bloomberg Tower Suggested Reading

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Solow Building

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The Solow Building, also known as 9 West 57th Street, is one of those “love it or hate it” buildings. It’s bold and innovative, meeting New York’s setback zoning requirements with a dramatic swoosh, like the Nike logo. And that’s the problem, say critics – it ruins the block’s cohesiveness, like a 50-story black and white scar.

There’s no denying that the building, taken by itself, is among New York’s most recognizable buildings. Only one other building – the W.R. Grace Building on 42nd Street, by the same architect – looks anything like it.

Since completion in 1974, one major change was made to Solow Building’s 57th Street entry. The escalator bank was replaced with stairs leading down to a restaurant, “8-1/2,” and enclosed in glass. Look to the building’s W 58th Street side for an idea of the “before.”

Solow Building Vital Statistics
  • Location: 9 W 57th Street, just off Fifth Avenue
  • Year completed: 1974
  • Architect: Gordon Bunshaft of Skidmore, Owings & Merrill
  • Floors: 50
  • Style: Postmodern
Solow Building Suggested Reading

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Sherry Netherland

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The Sherry Netherland must be bored by now with all of the superlatives lavished upon it. But if actions speak louder than words, consider this: a Sherry Netherland 18th floor apartment recently went on the market (September 2012) for $95 million. (To tell the whole truth, that’s the entire 18th floor – 7,000 square feet plus 2,000 square feet of terrace – seven bedrooms/seven baths – but still: $95 million!)

The Sherry Netherland is not, oddly enough, a New York City landmark unto itself (although the clock in front of the hotel is – go figure); it is part of the Upper East Side Historic District, along with the Hotel Pierre, Metropolitan Club, and other classics. The 40-story building was the tallest apartment-hotel in New York when built, in 1927.

The structure’s design was a collaboration of New York-based architects Shultze & Weaver and Buchman & Kahn. Shultze & Weaver specialized in luxury hotels such as the Pierre and Waldorf-Astoria. The French Gothic/French Renaissance tower is among New York’s most distinctive spires, hiding a water tank above the gargoyles. There is an observation platform at the very top – though you’d have to be brave and a climber to reach it!

While the Sherry Netherland’s public personna is a hotel, it has only 54 rooms and suites; 165 co-op apartments make up the bulk of the building.

Sherry Netherland Vital Statistics
  • Location: 751 Fifth Avenue at E 59th Street
  • Year completed: 1927
  • Architect: Shultze & Weaver and Buchman & Kahn
  • Floors: 48
  • Style: French Gothic/French Renaissance
Sherry Netherland Suggested Reading

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Morgan Library

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The Morgan Library and Museum on Madison Avenue comprises three classical, landmark buildings and a fourth, modern addition that joins the three into a complex that’s doubled in size.

The original buildings are J. P. Morgan, Jr.’s House (1853, originally built for Isaac N. Phelps), on the SE corner of Madison Avenue and E 37th Street; J. Pierpont’s Private Library (1906, designed by Charles McKim of McKim, Mead & White), mid-block on E 36th Street between Madison and Park Avenues; and J. Pierpont’s Private Library Addition (1928, designed by Benjamin Wistar Morris), on the NE corner of Madison Avenue and E 36th Street. The library addition was built on the site of J. Pierpont Morgan, Sr.’s mansion, after his death. (J. Pierpont Morgan, Jr. opened the library to the public in 1924.)

In 2006, the museum built a further addition, planned by Renzo Piano Building Workshop and Beyer Blinder Belle Architects & Planners. The modern addition connected the three original buildings and also filled the lot east of the 1853 brownstone.

In 2010, the museum restored the original library – the McKim building – to its original splendor under guidance of Beyer Blinder Belle Architects & Planners. The interior restoration included new lighting and the re-installation of the original chandeliers, deep cleaning, and replacement of plexiglass exhibit covers with non-glare acrylic. You can see before and after photos of the interior here.

Incidentally, the lionesses guarding the Morgan Library entrance on E 36th Street – Prudence and Felicity – were carved by Edward Clark Potter, the same sculptor who created the New York Public Library lions Patience and Fortitude.

Morgan Library Vital Statistics
  • Location: Madison Avenue between E 36th and E 37th Streets
  • Year completed: 1853 (house), 1906 (private library), 1928 (addition), 2006 (second addition)
  • Architect: McKim, Mead & White (private library), Benjamin Wistar Morris (addition), Renzo Piano Building Workshop (second addition)
  • Style: Italian Renaissance (private library), Florentine Renaissance (addition)
  • New York City Landmark: 1966
  • National Register of Historic Places: 1966
Morgan Library Suggested Reading

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