Tag Archives: landmark

Buffalo City Hall

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Buffalo City Hall is the city’s most dramatic building. When built, it was among the largest, tallest and most expensive city halls in the country. But it’s the style and ornamentation that makes this structure so impressive.

From the richly carved granite base to the illuminated polychrome terra cotta crown, the soaring tower of limestone and sandstone is finely detailed to accentuate the skyscraper’s height and Buffalo’s place in history.

City fathers enlisted the talents of skilled artisans: Albert T. Stewart for the portico frieze; William de Leftwich Dodge for the lobby murals; René Chambellan for detail sculpture; Bryant Baker for bronze statues of Presidents Millard Fillmore and Grover Cleveland; ceiling vault by Rafael Guastavino.

Beyond Buffalo City Hall’s artistic merits, the landmark has some notable architectural features. Instead of merely cloning each floor, plans were customized to meet the needs of the city departments that were to occupy the spaces. All of the building’s 1,520 windows open inward, so they can be washed from the inside. Offices were originally cooled by a “green” wind-powered ventilation system: Large vents in the western facade channeled strong winds off Lake Erie through cool subterranean chambers and then back through the building.

Local lore pokes Buffalo politicians. Architect John Wade designed the Common Council Chamber with pillars, each to hold busts of famous Buffalonians. But Council members could not agree who was to be honored. Plan B emerged, to have each pillar display the virtues – such as Fidelity, Prudence, and Faithfulness – of Councilmen. Ever since, the public has asked why Honesty, Efficiency and Economy are missing.

Although City Hall is no longer Buffalo’s tallest building – it was overtaken by One Seneca Tower in 1970 – the 28th floor observation deck is still a favorite tourist stop. The city provides free tours of the building, daily at noon.

Buffalo City Hall Vital Statistics
  • Location: 65 Niagara Square
  • Year completed: 1931
  • Architect: George J Dietel and John J Wade
  • Floors: 32
  • Style: Art Deco
  • Buffalo City Landmark
  • National Register of Historic Places: 1999
Buffalo City Hall Recommended Reading

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Fish Building

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Fish Building is “one of the most astonishing apartment houses in the Bronx, indeed in New York City,” wrote Christopher Gray in his July 15, 2007 New York Times Streetscapes column. The six-story building, aka 1150 Grand Concourse, is an Art Deco delight designed by Horace Ginsbern and Marvin Fine. This Grand Concourse landmark gets its name from the aquarium motif mosaic at the main entry.

But Mr. Gray decries the structure’s decline. “HOW do old buildings disappear? Sometimes all at once, under the wrecking ball. But more often they fade away on little cat’s feet, first the cornice, then a doorway, then the windows, then a balcony … leaving behind nothing but an architectural zombie.” And indeed, historical photos that accompany the Streetscapes column show an even more fantastic Fish Building existed some 50-odd years ago. The original cornice, roof railing, windows and door have been replaced with unimaginative substitutes.

Clever Design

At least one aspect of the building’s design is permanent: Its adaptation to the irregular street grid.

The Grand Concourse was designed as a scenic boulevard, and as such it meanders to follow the terrain, often at an odd angle to the street grid. Such is the case at Mc Clellan Street. The Fish Building accommodates the boulevard’s zig with a stepped western facade that artfully hides the skewed grid, and keeps apartment walls rectangular. See the floor plans from Columbia University’s New York Real Estate Brochure Collection.

If the outside of 1150 Grand Concourse is exceptional, the inside is absolutely stunning. The terrazzo floor, murals, light fixtures and boldly decorated elevators are a joy to behold.

If the Fish Building leaves you wanting more, you can visit nearby Park Plaza Apartments. It’s located at 1005 Jerome Avenue, across the street from Yankee Stadium. This grander-scaled apartment building was also designed in Art Deco style by Ginsbern and Fine. It features bold, colorful terra cotta details definitely worth the trip.

Fish Building Vital Statistics
  • Location: 1150 Grand Concourse at Mc Clellan Street
  • Year completed: 1937
  • Architect: Horace Ginsbern and Marvin Fine
  • Floors: 6
  • Style: Art Deco
  • New York City Landmark: 2011 (Grand Concourse Historic District)
Fish Building Recommended Reading

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Kenilworth

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The Kenilworth has an impressive entry flanked by banded columns reminiscent of the Prasada and the Lucerne. Last of the Second Empire-style buildings to be built on Central Park West, remarkably the structure looks unchanged from 1908, except that the wood-frame windows were replaced.

Even the interiors have been preserved. Architectural historian Andrew Alpern wrote, “The Kenilworth has three apartments on each floor, two of which are of a modified long-hall variety. While not exceptional in their planning or appointments, these suites have been kept surprisingly intact.” (New York’s Fabulous Luxury Apartments: With Original Floor Plans from the Dakota, River House, Olympic Tower and Other Great Buildings)

Overshadowed by neighboring San Remo apartments, the 12-story Kenilworth was built without the benefit of a steel frame, or the 1929 building code that liberalized residential height restrictions. The structure’s limestone and red brick walls actually hold the building up, they’re not just for appearance.

Speaking of appearance, the heavy contrasting ornamentation and copper-trimmed slate mansard roof give the building presence beyond its mere dozen stories. The two-story columns and dry moat are just icing on the cake.

The Kenilworth was converted to a cooperative in 1957.

Kenilworth Vital Statistics
  • Location: 151 Central Park West at W 75th Street
  • Year completed: 1908
  • Architect: Townsend, Steinle & Haskell
  • Floors: 12
  • Style: Second Empire
  • New York City Landmark: 1990 (Upper West Side/Central Park West Historic District)
  • National Register of Historic Places: 1982 (Central Park West Historic District)
Kenilworth Recommended Reading

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Majestic

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The Majestic Apartments, like sister building The Century, is a scaled-down version of Irwin Chanin’s original concept. Nonetheless, it is a New York architectural landmark for its Art Deco style – simultaneously bold and austere.

According to the NYC Landmarks Preservation Commission (LPC), Chanin envisioned a 45-story full-service apartment hotel for the site. The single-tower design was to replace the Hotel Majestic of 1894. The stock market crash changed all that; The Majestic became a twin-towered 32-story apartment house. Chanin’s “experimental” use of Art Deco in a residential context was stripped to its essentials, relying almost entirely on economic brickwork for ornamentation.

The design contrasts with even his own Art Deco commercial design, the 1929 Chanin Building. The office tower employed marble, bronze and terra cotta ornamentation of the base and tower. (Although the Chanin Building was designed by the Sloan & Robertson firm, Chanin supervised the exterior detailing, the LPC said.)

The Majestic’s cantilevered steel frame was an important innovation, which made wraparound “solaria” windows possible.

The building became a cooperative in 1958.

The Majestic Vital Statistics
  • Location: 115 Central Park West between W 71st and W 72nd Streets
  • Year completed: 1931
  • Architect: Irwin Chanin
  • Floors: 32
  • Style: Art Deco
  • New York City Landmark: 1988 (individual), 1990 (Upper West Side/Central Park West Historic District)
  • National Register of Historic Places: 1982
The Majestic Recommended Reading

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Century

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The Century Apartments is among New York’s finest examples of Art Deco and residential architecture, and a nationally-recognized landmark. Yet it was only the architect’s “Plan B”!

The building is one of a pair of twin-towered Art Deco landmarks (the other is The Majestic) designed and built by Irwin S. Chanin along Central Park West. Both were constructed almost simultaneously, though The Majestic started and opened earlier. Both buildings were named for their predecessors – Century Theatre and Hotel Majestic. And both buildings used then-innovative cantilevered steel frames that allowed corner windows.

According to the NYC Landmarks Preservation Commission report, Chanin considered The Century to be the finer of the two buildings. But the structure is a far cry from what Chanin had envisioned. He had purchased the entire block and in 1929 proposed a 65-story “Palais de France.” The office and hotel tower were to house the French consulate and tourist board, offices of French commercial firms, three stories of exhibition space for French goods, and shops on the ground floor. Chanin failed to secure financing from French banks, however, and he abandoned Palais de France in 1930. The Century was half as tall and half the area of Chanin’s dream.

The building’s apartments were scaled down from those of The Majestic because of the difficulty in renting large apartments during the Depression. Originally the structure held 417 suites in 52 different layouts. Over the years, some apartments have been combined; the building now has about 350 units.

An investment group purchased The Century in 1982 and attempted to turn it co-op. The NY Attorney General nixed the deal, but in 1989 a condominium conversion passed after a long, bitter battle with tenants.

The Century has been home to numerous celebrities, but the most recent celebrities paid no rent: Peregrine Falcons nesting in the south tower!

The Century Vital Statistics
  • Location: 25 Central Park West, W 62nd to W 63rd Street
  • Year completed: 1931
  • Architect: Irwin Chanin and Jacques L. Delamarre
  • Floors: 32
  • Style: Art Deco
  • New York City Landmark: 1985 (individual), 1990 (Upper West Side/Central Park West Historic District)
  • National Register of Historic Places: 1982
The Century Recommended Reading

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The Dakota – A History of the World’s Best-Known Apartment Building

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The Dakota – and indeed NYC apartment life – is beautifully illuminated by Andrew Alpern’s new “History of the World’s Best-Known Apartment Building.” The noted architectural historian presents the most comprehensive history of The Dakota imaginable! Mr. Alpern documents the building, its builder (and family!), the architect, the neighborhood, the architectural and historical context, and even the Dakota’s residents. Fascinating reading that illuminates not only The Dakota, but also the world of apartment living in New York City.

I’m deeply honored by Mr. Alpern’s use of my photography (from the Dakota Apartments gallery) in this volume.

Williamsburgh Savings Bank (Tower)

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Williamsburgh Savings Bank is New York architecture that entertains from afar – and from close up. The tower’s graceful taper dominates the Brooklyn skyline for miles; the Rene Chambellan sculpture around the base fascinates passers-by. More sculpture, mosaics, and majestic vaulted ceilings overwhelm visitors inside.

The landmark fulfills architect Robert Helmer’s wish that the tower “be regarded as a cathedral dedicated to the furtherance of thrift and prosperity of the community it serves.” Not bad for a tiny bank that started out in the basement of a (now-demolished) church in 1851, before Williamsburgh dropped the “h” from its name.

Architects Halsey, McCormack & Helmer specialized in banks, so it is a little ironic that one of the firm’s non-bank buildings was the Central Methodist Episcopal Church – right next door to their “cathedral of thrift.”

The building is based on a steel “portal frame” – a special structure designed to support the weight of the massive tower above the equally massive void of the banking hall. (Think of this as a 35-story office building on top of a six-story church.) The bank insisted – over the architects’ objections – on a gilded dome as a crown for the tower. The dome was an architectural reference to Williamsburgh Savings Bank’s original headquarters in downtown Williamsburg.

When built, this was the tallest building in Brooklyn, and the clock was the largest four-sided clock tower in the world. “Brooklyn’s wristwatch” sometimes had trouble keeping time, but it seems to have been fixed. Although this was its headquarters, Williamsburgh Savings Bank only used two floors (above the banking level) as offices. The rest of the tower was rented – and for some reason, mostly to dentists!

Williamsburgh Savings Bank was acquired by Republic National Bank, and then merged into HSBC. In 2005, a partnership of the Dermot Company and Canyon-Johnson Urban Funds bought the tower. The lower floors were converted to Skylight One Hanson – event space – while the upper floors became 1 Hanson Place luxury condominiums.

The tower has the distinction of being triple-designated by the NYC Landmarks Preservation Commission: as an individual landmark (1977), as part of an historic district (1978), and as an interior landmark (1996).

Urban Omnibus has an exceptional narrative on the building’s history.

Williamsburgh Savings Bank Vital Statistics
  • Location: 1 Hanson Place at Ashland Place
  • Year completed: 1929
  • Architect: Halsey, McCormack & Helmer
  • Floors: 41
  • Style: neo-Romanesque
  • New York City Landmark: 1977, 1978 (Brooklyn Academy of Music HD), 1996 (interior)
Williamsburgh Savings Bank Recommended Reading

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Brooklyn Fire Department Headquarters

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Brooklyn Fire Department Headquarters, “architecturally one of the finest buildings in Brooklyn,” has been restored to its 1892 magnificence. Amazingly, the downtown landmark was renovated without displacing tenants – and all 18 units of the formerly city-owned building were retained as “affordable housing.”

In his “Streetscapes” column, Christopher Gray notes that this building was Brooklyn’s answer to Manhattan’s Fire Department Headquarters (now the home of Engine 39/Ladder 16). After the City of Brooklyn became part of New York City in 1898, the headquarters functions shifted to Manhattan. The fire department used the building into the 1970s, then the city leased it to Polytechnic University. In 1989 the city converted the building to 18 apartments for low-income and senior residents.

After years of decay, the city launched a complex rehabilitation plan in 2013. As reported in The Brownstoner, the rehab involved The Pratt Area Community Council (PACC) as the developer, with financing from the City of New York (HPD), the Community Preservation Corp (CPC), and LISC (Local Initiatives Support Corporation). The project also received funding though Historic Preservation Tax Credits, and a grant through the NYS Office of Parks, Recreation, and Historic Preservation. Nomad Architecture was the project architect, and the Historic Preservation Consultant was Thomas A. Fenniman, Architect. MDG Design & Construction was the development partner and the contractor.

The arched doorway no longer admits fire trucks, and the legend “FIRE HEAD-QUARTERS” has been replaced by terra cotta scrollwork. Otherwise, welcome back to 1892 and the City of Brooklyn.

Brooklyn Fire Department Headquarters Vital Statistics
  • Location: 365 Jay Street between Willoughby and Tillary Streets
  • Year completed: 1892
  • Architect: Frank Freeman
  • Floors: 7
  • Style: Richardsonian Romanesque
  • New York City Landmark: 1966
  • National Register of Historic Places: 1972
Brooklyn Fire Department Headquarters Recommended Reading

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131 Buckingham Road

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131 Buckingham Road is widely cited as New York City’s most unusual residence – a century-old Japanese-style wood-frame home, in the heart of Victorian Flatbush.

In the words of the NYC Landmarks Preservation Commission, “The most exotic and certainly the best-known house in Prospect Park South is this Japanese style wood and stucco structure designed in 1902 by Petit & Green for Dean Alvord. The dwelling is further evidence of Petit’s ability to design in many architectural styles, but in order to give the building a genuine oriental quality, he was assisted by three Japanese artisans: Saburo Arai, who worked as a contractor; Shunso Ishikawa, who was responsible for the original color scheme and decorations, and Chogoro Sugai, who designed the original garden.”

According to the Commission, “The cost of building this house was estimated in 1902 as being $12,000, and in 1903 the price for the purchase of the building was quoted as $26,500, very high for a building in Prospect Park South. By advertising this exotic structure, Alvord hoped to attract potential buyers who were curious about this dwelling, but would buy the less expensive structures in the area. Alvord noted in a boldly printed box at the bottom of the advertisement that ‘many other houses equally artistic and distinctive, at varying prices, are ready for inspection.’ “

The Flatbush Development Corporation house tours frequently feature this home – see the FDC website or call 718-859-3800 for information.

This gem is just one of the jewels of the Prospect Park South Historic District and adjacent Beverley Square West development.

131 Buckingham Road Vital Statistics
  • Location: 131 Buckingham Road between Church Avenue and Albemarle Road
  • Year completed: 1902
  • Architect: Petit & Green
  • Floors: 3
  • Style: Japanese
  • New York City Landmark: 1979
131 Buckingham Road Recommended Reading

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Prospect Park South Historic District

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Prospect Park South Historic District is a neighborhood with a mission: To “illustrate how much of rural beauty can be incorporated within the rectangular limits of the conventional city block.” The myriad home styles were the vision of a single developer: Dean Alvord.

According to the NYC Landmarks Preservation Commission, “The most important event in the progress of suburbanization in Flatbush was the purchase in 1899 of approximately fifty acres of land by the real estate developer Dean Alvord for $280,000. Most of this land had been owned by the Dutch Reformed Church and the Bergen family. Alvord intended to lay out a ‘high-class’ suburban community to be called Prospect Park South.

“…Alvord’s objective in Prospect Park South was, in his own words, ‘to create a rural park within the limitations of the conventional city block and city street.'”

Alvord laid out the utilities, put up brick gateposts, and planned lawns and malls. He hired a landscape gardener, and hired architect John J. Petit to design large comfortable houses in a variety of styles. The LPC notes examples of Colonial Revival, neo-Tudor, Queen Anne, Swiss chalet, and even Japanese pagoda.

“The architecture of Prospect Park South is representative of a phenomenon common among the suburbs that were built up in America at the turn of the 20th century. The buildings erected in these developments represent an eclectic mix with houses of many different styles placed next to each other on each street. Each house at Prospect Park South was designed as a separate entity with no consideration given to the style of the surrounding structures or to the appropriateness of the use of a certain stylistic variant for a specific site…. At Prospect Park South houses with Colonial, Queen Anne, Italianate, French Renaissance, Japanese, Elizabethan, Jacobean and other stylistic details were freely juxtaposed. This free mixture of stylistic forms often resulted in such seeming incongruities as the placement of a stucco Spanish Mission style home beside a frame Swiss Chalet.” [LPC Designation Report]

Prospect Park South Historic District Vital Statistics
  • Location: South of Prospect Park; the area between Church Avenue and Beverley Road, from Stratford Road to Buckingham Road.
  • Year completed: 1900-1930
  • Architect: John J. Petit, lead architect; many others designed homes in the development.
  • Style: Mixed
  • New York City Landmark: 1979
Prospect Park South Historic District Recommended Reading

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