Tag Archives: historic

Hugh O’Neill Building

Manhattan, , , , , , , , , ,

The dazzling white Hugh O’Neill Building on Sixth Avenue is a great example of historic restoration and recycling in New York. Not only did the developers bring an old building back to life, they also magically added two floors without changing the original appearance. While structural problems have appeared, the future looks bright.

Hugh O’Neill, an Irish immigrant, was a very successful retailer. He outgrew his original Sixth Avenue store and replaced it in 1887 with a four-story double-domed emporium. In 1890, he expanded the store at the rear of the West 20th Street wing. In 1895 he added a fifth floor (raising the domes one story in the process).

Alas, after O’Neill died in 1902 the store (and most neighboring retailers) deteriorated and closed. The corner domes were removed in the early 1900s, and the building was converted to lofts.

In 2004 the by-then grey building got a new lease on life: Conversion to condominium apartments. The developer Elad Properties, and architects Cetra/Ruddy Inc. got Landmarks Preservation Commission approval to restore the missing domes – and add two stories of apartments at the same time. The trick was to set back the new floors so that they are not visible from the street.

In December 2012 one of the building’s columns on West 2oth Street collapsed, forcing evacuation. Repairs were made, but scaffolding still covers the West 20th Street facade at this writing (June 2013).

Hugh O’Neill Building Vital Statistics
  • Location: 655 Sixth Avenue between W 20th and W 21st Streets
  • Year completed: 1887
  • Architect: Mortimer C. Merritt; Cetra/Ruddy Inc. (renovation)
  • Floors: 5
  • Style: cast iron, neo-Grec
  • New York City Landmark: 1989
Hugh O’Neill Building Recommended Reading

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Franklin Trust Company Building

Brooklyn, , , , , , , , , , ,

Franklin Trust Company Building (aka Franklin Tower Apartments) was built to impress. The bank is no more (absorbed through mergers into present-day Citibank), but the building still impresses.

The former bank/office building stands at the corner of Montague and Clinton Streets, on the block where Montague transitions from residential to “Bankers’ Row.” Diagonally across the street are three consecutive bank buildings.

In 2009 Rothzeid Kaiserman Thomson & Bee (RKTB) performed a $10 million “gut renovation” of the building, creating 25 condo apartments plus retail spaces while preserving and restoring the exterior.

Franklin Trust Company Building Vital Statistics
  • Location: 166 Montague Street at Clinton Street
  • Year completed: 1891
  • Architect: George L. Morse (original); Rothzeid Kaiserman Thomson & Bee (conversion)
  • Floors: 10
  • Style: Romanesque Revival
  • New York City Landmark: 1965
Franklin Trust Company Building Recommended Reading
  • NYC Landmarks Preservation Commission designation report (Brooklyn Heights Historic District)
  • Brownstoner – Past and Present blog
  • Brooklyn Heights Blog archive (6 items – be sure to see “Sneak Peek” with video)
  • Street Easy listing
  • Halstead Properties video
  • RKTB (conversion architects) website

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Brooklyn Trust Company Building

Brooklyn, , , , , , , , ,

Brooklyn Trust Company Building, deemed “the most beautiful building on Brooklyn’s ‘Bank Row’,” is well preserved inside and out. The NYC Landmarks Preservation Commission took the unusual step of designating both the interior and the exterior as landmarks.

Chase Bank sold the building in 2007; those owners sold it in 2011, and the new owner is creating condominium apartments (Barry Rice Architects) in the rear (Pierrepont Street) annex.

Brooklyn Trust Company Building Vital Statistics
  • Location: 177 Montague Street at Clinton Street
  • Year completed: 1915
  • Architect: York & Sawyer
  • Floors: 5
  • Style: Italian Renaissance
  • New York City Landmark: 1996 (interior and exterior)
  • National Register of Historic Places: 2009
Brooklyn Trust Company Building Recommended Reading

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Gainsborough Studios

Manhattan, , , , , , , , , ,

Gainsborough Studios is a distinctively detailed, colorful cooperative apartment building on a street sometimes termed bland.

The 1908 landmark was a cooperative in the original sense – intended for a community of artists – and designed for studios. The park-facing apartments are all duplexes, with double-height windows to capture the light. The rear apartments are all standard-height units. See floor plans (click plans for enlarged view). Alas, the apartments’ multi-million-dollar price tags are out of artists’ reach.

The facade was restored in 1988 – the same year the building was designated a NYC landmark.

The building next door (220 Central Park South) was demolished, and the lot will remain vacant and boarded up until the joint owners can settle their dispute. Vornado Real Estate Trust wants to build a new tower; Extell, which owns the underground parking garage (accessed via W 58th Street) won’t vacate. Extell also owns the new One57 tower and is building the 1,500-foot-tall Nordstrom Tower directly behind 220 Central Park South.

It seems that historic Gainsborough Studios will soon be dwarfed by its new neighbors east and south.

Gainsborough Studios Vital Statistics
  • Location: 222 Central Park South between Seventh Avenue and Broadway
  • Year completed: 1908
  • Architect: Charles W. Buckham
  • Floors: 16
  • Style: Victorian / Edwardian
  • New York City Landmark: 1988
Gainsborough Studios Recommended Reading

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Knox Building

Manhattan, , , , , , , , , , , , ,

The Knox Building is a landmark 10-story Beaux Arts commercial building, wrapped by the modern 29-story HSBC Tower. Both have ties to 19th-Century personalities.

Civil War hero Edward Knox took over his father’s ailing hat business and pledged to make the Knox name known wherever hats were sold. The Knox Hat Building on Fifth Avenue was part of the route taken. Knox, active in veterans’ affairs, met architect John H. Duncan and was impressed by his designs of the Grand Army Plaza Memorial Arch and the General Grant National Memorial (Grant’s Tomb). Knox subsequently commissioned Duncan to build his newest store and company headquarters.

In 1964 Republic National Bank bought the building and converted it to banking, making relatively few exterior changes (though they did remove the mezzanine). Then in 1985 Republic wrapped a 29-story L-shaped tower around the Knox Building. HSBC acquired Republic, and in 2006 made additional restorations and renovations to the structures.

The artfully done tower (Eli Attia, architect) comes off as a drape backdrop for the Beaux Arts Knox Building. The art came at the expense of the Kress Building, which many preservationists wanted to save from demolition.

HSBC Tower preserves some history that predates the Kress Building, though. In the middle of the Fifth Avenue facade a bronze door memorializes the site of an 1850s “House of Mystery.” That mansion was owned by the Wendel family until the last daughter, Ella, died in 1931 at age 78.

The five-story red brick home was said to be the last residence on that stretch of Fifth, an eccentric home to an eccentric and very wealthy family.

When Ella died, the estate reportedly took 10 years, 250 lawyers and $2 million to settle – there were no less than 2,300 individuals claiming to be heirs.

Drew University was among the beneficiaries of Ella’s will: They received, then sold, the mansion, and a Kress Department Store was built on the site.

Knox Building Vital Statistics
  • Location: 452 Fifth Avenue at W 40th Street
  • Year completed: 1902
  • Architect: John H. Duncan
  • Floors: 10
  • Style: Beaux Arts
  • New York City Landmark: 1980
  • National Register of Historic Places: 1982
HSBC Tower Vital Statistics
  • Location: 452 Fifth Avenue at W 40th Street
  • Year completed: 1985
  • Architect: Eli Attia
  • Floors: 29
  • Style: Postmodern
Knox Building / HSBC Tower Recommended Reading

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Madison Belmont Building

Manhattan, , , , , , , , , ,

The Madison Belmont Building was a prominent addition to the young “Silk District,” commercial buildings serving the silk industry that replaced the mansions of uptown-bound wealthy New Yorkers. It was among the first in the U.S. to use Art Deco design elements, according to the NYC Landmarks Preservation Commission. The overall design, however, was traditional. Like other tall buildings of the time, the Madison Belmont Building had a base – shaft – capital organization mimicking a classical column.

Although architect Whitney Warren had been exposed to Art Deco concepts while in Paris, it appears that prime tenant Cheney Silk Company also influenced the design. The company had a relationship with Edgar Brandt, a pioneer of the Art Deco style in Paris. Warren picked Brandt to design the iron and bronze framing around the showroom windows of the lower three floors, as well as the entrance doors and grilles.

The white 18th floor was added in 1953 – 29 years after the original construction.

Despite the Madison Belmont Building’s pioneering role, architects Warren & Wetmore are better known for their neo-Renaissance and Beaux Arts works, such as the New York Yacht Club, Grand Central Terminal, New York Central Building (aka Helmsley Building), Steinway Hall, Aeolian, and Heckscher Building (aka Crown Building).

Madison Belmont Building Vital Statistics
  • Location: 181 Madison Avenue at E 34th Street
  • Year completed: 1925
  • Architect: Warren & Wetmore
  • Floors: 18
  • Style: neo-Renaissance, with Art Deco decoration
  • New York City Landmark: 2011
Madison Belmont Building Recommended Reading

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261 Fifth Avenue

Manhattan, , , , , , , , ,

261 Fifth Avenue replaced six houses from the mid-1800s; it was used primarily as showrooms and offices of companies in the housewares and carpet industries, according to the NYC Landmarks Preservation Commission.

The commission also notes that the striking bold terra cotta ornament used by architect Ely Jacques Kahn had “similarities to motifs used by Frank Lloyd Wright.” Which leads to a small bit of irony: Frank Lloyd Wright was the inspiration for Howard Roark, the hero architect in Ayn Rand’s novel “Fountainhead.” But Ayn Rand worked for Kahn (as an unpaid typist) while she was researching the book; she is quoted as saying of Kahn, “As a type, he was Guy Francon.” (Francon was a sycophant in the novel.)

261 Fifth Avenue Vital Statistics
  • Location: 261 Fifth Avenue at E 29th Street
  • Year completed: 1929
  • Architect: Buchman & Kahn
  • Floors: 26
  • Style: Art Deco
  • New York City Landmark: 2001
261 Fifth Avenue Recommended Reading

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275 Madison Avenue

Manhattan, , , , , , , , , ,

275 Madison Avenue (originally known as 22 E 40th Street) is an Art Deco landmark in midtown Manhattan. Its polished black granite and silver base continues to be a striking presence more than three quarters of a century after construction. (If only mere mortals had such staying power!)

In contrast to other commercial buildings of the day, 275 Madison had almost no decoration above the base. The tower was promoted as a “shadowless” skyscraper (because there were no projecting cornices, sculptures or other features to cast shadows), though some critics say the lack of ornament was simply a cost-saving measure dictated by the stock market crash. The building’s vertical lines are accentuated by dark columns of windows against a white-brick background.

Architect Kenneth Franzheim is best known for his work in Houston, for Houston-based developer Jesse Jones. It was Jones’ New York-based firm, Houston Properties Corporation, that developed 275 Madison Avenue with New York Trust as the prime tenant. (The bank owned two of the five lots used to build the tower.) In 1933, Johns-Manville Corporation leased 14 floors, so the structure is sometimes called the Johns-Manville Building. However, Johns-Manville already had its own building a block away, on Madison Avenue at E 41st Street.

Despite 275 Madison Avenue’s address, the tower’s main entrance is actually on E 40th Street – and the building was originally known as 22 E 40th Street.

At this writing, 275 Madison Ave. is owned by RFR Realty.

275 Madison Avenue Vital Statistics
  • Location: 275 Madison Avenue at E 40th Street
  • Year completed: 1931
  • Architect: Kenneth Franzheim
  • Floors: 43
  • Style: Art Deco
  • New York City Landmark: 2009
275 Madison Avenue Recommended Reading

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Decker Building

Manhattan, , , , , , , , , ,

Decker Building (aka Union Building) is a delight to look at, and fascinating in its history. The white, 12-story limestone and brick facade is lavishly decorated with lacy terra cotta patterns. The windows – some with Venetian-style Juliet balconies – are elaborate works of art in themselves. And the two-story tower, once topped by a minaret, is filled with Moorish ogee (horseshoe) arches.

As befits such a radical building, the Decker Building was designed by John Edelmann, a Cleveland, Ohio-born anarchist so radical that he was expelled from the Socialist Labor Party. At the time, Edelmann was working for New York architect Alfred Zucker. (Louis H. Sullivan, a much more prominent architect, credited his success to Edelmann.)

The original owner, and tenant until 1913, was The Decker Piano Company. The building was then acquired (and renamed Union Square Building) by Lowenfeld & Prager, which traded the property in 1916. In more recent years, The Union Building reverted to The Decker Building. Andy Warhol’s second “Factory” was located on the sixth floor from 1968 to 1974. This is where, in 1968, playwright Valerie Solanas shot Andy Warhol and art critic Mario Amaya.

The building was sold in foreclosure in 1994 to Windsor Construction Company; architect Joseph Pell Lombardi oversaw restoration of the facade. The building now houses a ground floor store and 18 residential units.

Decker Building Vital Statistics
  • Location: 33 Union Square West
  • Year completed: 1893
  • Architect: John H. Edelmann
  • Floors: 12
  • Style: Moorish Revival and Venetian
  • New York City Landmark: 1988
  • National Register of Historic Places: 2003
Decker Building Recommended Reading

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Divine Lorraine Hotel

Philadelphia, , , , , , , ,

Divine Lorraine Hotel is a fabulous Philadelphia ruin awaiting revival – ten blocks east of Philadelphia’s other fabulous ruin, Eastern State Penitentiary.

What earns it a spot in NewYorkitecture.com is that it was a New Yorker who made it Divine in the first place.

This building began life as the Lorraine Apartments – abodes for well-heeled Philadelphians. After a mere six years it was sold and converted to the Lorraine Hotel, a role it filled for almost half a century.

Then along came Harlem’s Reverend Major Jealous Divine, better known as Father Divine, whose Universal Peace Mission Movement bought the hotel in 1948. Divine, a black man who married a white woman at a time when interracial marriage was unthinkable, promptly radicalized the hotel. He renamed it Divine Lorraine Hotel, made it the first integrated U.S. hotel, required men and women (even if married) to stay on separate floors, converted ballrooms to places of worship, and installed a low-cost restaurant for the poor.

Though Father Divine died in 1965, his followers continued the hotel until 2000, when they sold it to developers. In 2006 the building was gutted for renovation, but the project was abandoned until fairly recently. Developer Eric Blumenfeld bought the property at auction in October 2012, with plans to revive it as apartments.

Divine Lorraine Hotel’s architect, Willis G. Hale, was born 1848 in Seneca Falls, N.Y. but moved to Philadelphia in the 1860s. His creations are known as wildly inventive – but few examples survive.

Divine Lorraine Hotel Vital Statistics
  • Location: 1370 Fairmount Avenue at N Broad Street
  • Year completed: 1894
  • Architect: Willis Gaylord Hale
  • Floors: 10
  • Style: Victorian
  • Pennsylvania Historical Landmark: 1994
  • National Register of Historic Places: 2002
Divine Lorraine Hotel Recommended Reading

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