Tag Archives: architecture

Helmut Jahn

Helmut Jahn (1940 – ) is a German-born, Chicago-based architect of international renown, with five colorfully distinctive New York towers (and one mid-rise) under his belt. The proposed but not built Television City would have been a record-breaker on behalf of The Donald (Trump). A new Jahn-designed tower – 50 West Street – is now underway.

After emigrating to the U.S., Jahn studied at the Illinois Institute of Technology under famed Ludwig Mies van der Rohe. He joined the firm of C.F. Murphy Associates in 1967. The roof of Jahn’s first major project, Kemper Arena (1974), collapsed in 1979. But his practice hardly skipped a beat: Eight major projects filled the years 1980-1986. In 1987-1989 he exploded on the New York scene with six projects: Office towers 425 Lexington Avenue, City Spire, International Plaza, and Park Avenue Tower, plus America Apartments. A smaller project – the 12-story Metropolitan Transportation Authority Building located in Brooklyn – was completed in 1989.

Jahn also designed Donald Trump’s proposed 150-story Television City.

After nearly 30 years’ absence, Jahn design is again under construction in New York. The long-dormant 50 West Street project, a 63-story mixed-use tower, is slated for 2016 completion.

Helmut Jahn New York Buildings
Helmut Jahn Suggested Reading

January Landmarks

These NYC landmarks celebrate their Landmarks Preservation Commission designation anniversaries in January

Types: I=Individual; S=Scenic; HD=Historic District

Type Borough Day Year Landmark Built Architect(s) Style Link
HD M 3 1984 West End Collegiate Historic District [pdf]
I M 5 1988 Ed Sullivan Theater (Originally Hammerstein’s Theater), first floor interior 1927 Herbert J. Krapp Gothic [pdf]
I M 5 1988 Winter Garden Theater, first floor interior 1885 W. Albert Swasey; Herbert J. Krapp; Francesca Russo N/A [pdf]
I M 5 1993 Mount Morris Bank Building (Later the Corn Exchange Bank, Mount Morris Branch) 1883 Lamb & Rich, Frank A. Rooke Romanesque Revival [pdf]
I M 5 1993 Washington Apartments 1883 Mortimer C. Merritt Queen Anne [pdf]
I M 5 1993 (Former) Century Association Building 1869 Gambrill & Richardson neo-Grec [pdf]
I M 8 1991 The Diller Residence 1899 Gilbert A. Schellenger Renaissance Revival [pdf]
I M 8 1991 The Kleeberg Residence 1896 C.P.H. Gilbert Renaissance Revival [pdf]
I M 8 1991 The Prentiss Residence 1899 C.P.H. Gilbert Renaissance Revival [pdf]
I M 8 1991 The Sutphen Residence 1901 C.P.H. Gilbert Renaissance Revival [pdf]
I Q 8 1991 Flushing High School 1912 C.B.J. Snyder Gothic [pdf]
I BX 8 2002 Begrisch Hall at Bronx Community College 1956 Marcel Breuer & Associates Postmodern [pdf]
I B 9 1979 Flatbush Dutch Reformed Church Parsonage 1853 UNKNOWN Greek Revival [pdf]
I M 9 1979 United States Custom House (interior) 1907 Cass Gilbert Beaux Arts [pdf]
I B 10 1978 Public School 111 1867 Samuel B. Leonard, James W. Naughton Romanesque Revival [pdf]
I BX 10 1978 Bartow-Pell Mansion, Expanded Landmark Site 1842 UNKNOWN Greek Revival [pdf]
I BX 10 1978 Public School 15 1877 Simon Williams N/A [pdf]
I M 10 1978 Public School 9 Annex 1895 James W. Naughton Romanesque Revival [pdf]
HD BX 10 2006 Fieldston Historic District [pdf]
I BX 11 1967 Christ Church 1866 Richard Upjohn & Son Victorian Gothic [pdf]
I BX 11 1967 Rainey Memorial Gates 1934 Charles A. Platt Art Deco [pdf]
I M 11 1967 America-Israel Cultural Foundation (formerly the William H. Moore House) 1898 McKim, Mead & White Renaissance Revival [pdf]
I M 11 1967 Bouwerie Lane Theatre (originally the Bond Street Savings Bank) 1873 Henry Engelbert, Steven Harris Architects French Second Empire [pdf]
I M 11 1967 Marble Collegiate Reformed Church 1851 Samuel A. Warner Mixed [pdf]
I M 11 1967 New York Public Library 1898 Carrere & Hastings; Davis Brody Bond; WJE Engineers and Architects Beaux Arts [pdf]
I M 11 1967 The Century Association 1889 McKim, Mead & White; Jan Hird Pokorny Renaissance Revival [pdf]
I M 11 1967 The Harvard Club of NYC 1893 McKim, Mead & White; Henry Cobb; Davis Brody Bond Georgian [pdf]
I M 11 1967 The University Club 1897 McKim, Mead & White; Peter Gisolfi Architects Renaissance Revival [pdf]
I M 11 1967 West End Collegiate Church and Collegiate School 1892 Robert W. Gibson Dutch/Flemish Renaissance [pdf]
I B 11 1977 Saint George’s Protestant Episcopal Church 1886 Richard M. Upjohn Gothic [pdf]
I M 11 1977 Barbara Rutherford Hatch Residence 1917 Frederick J. Sterner Spanish Colonial/Italian Renaissance [pdf]
I M 11 1977 Henry T. Sloane Residence 1894 Carrere & Hastings; RBSD Architects Beaux Arts [pdf]
I M 11 1977 Oliver Gould Jennings Residence 1898 Flagg & Chambers; RSBD Architects Beaux Arts [pdf]
I Q 11 1977 Prospect Cemetery 1668 N/A N/A [pdf]
I Q 11 1977 Allen-Beville House 1848 UNKNOWN Greek Revival [pdf]
I B 11 2011 Childs Restaurant Building 1917 John C. Westervelt Spanish Revival [pdf]
I M 11 2011 Haskin & Sells Building 1912 Frederick C. Zobel Renaissance [pdf]
I M 12 1999 Nicholas C. and Agnes Benziger House 1890 William Schickel Medieval [pdf]
I BX 12 2010 (Former) Dollar Savings Bank 1919 Renwick, Aspinwall & Tucker neo-Classical [pdf]
I M 12 2010 311 Broadway Building 1856 UNKNOWN Renaissance Revival [pdf]
I M 12 2010 West Park Presbyterian Church 1883 Leopold Eidlitz; Henry Kilburn; Ludlow & Peabody Romanesque Revival [pdf]
I Q 12 2010 Public School 66 (Formerly the Brooklyn Hills School, Later the Oxford School, Now the Jacqueline Kennedy Onassis School) 1898 Harry S. Chambers; C.B.J. Snyder Romanesque, Queen Anne [pdf]
I Q 12 2010 Ridgewood Theater Building 1916 Thomas W. Lamb Beaux Arts [pdf]
I S 12 2010 Mary and David Burgher House 1844 UNKNOWN Greek Revival [pdf]
I B 13 1998 New Utrecht Reformed Dutch Church Cemetery 1653 N/A N/A [pdf]
I B 13 1998 New Utrecht Reformed Dutch Church, Expanded Landmark Site, and Parish House 1828 Lawrence B. Volk Romanesque Revival [pdf]
I B 13 1998 (Former) Colored School No. 3 1879 Samuel B. Leonard Rundbogenstil [pdf]
I B 13 2009 Hubbard House 1835 Lawrence Ryder Dutch Colonial [pdf]
I M 13 2009 275 Madison Avenue Building 1930 Kenneth Franzheim Art Deco [pdf]
I M 13 2009 New York Public Library George Bruce Branch 1914 Carrere & Hastings Georgian Revival [pdf]
I M 13 2009 The New York Public Library, 125th Street Branch 1901 McKim, Mead & White Renaissance Revival [pdf]
I S 13 2009 John H. and Elizabeth J. Elsworth House 1880 N/A Renaissance Revival [pdf]
I M 14 1969 The Permanent Mission of Yugoslavia to the United Nations 1903 Warren & Wetmore Louis XV [pdf]
HD M 14 1969 St. Mark’s Historic District N/A [pdf]
I BX 14 1992 MacCombs Dam Bridge (Originally Central Bridge) And 155th Street Viaduct 1890 Alfred Pancoast Boller N/A [pdf]
I M 14 1992 Ahrens Building 1894 George H. Griebel Romanesque Revival [pdf]
I M 14 1992 Broadway Chambers Building 1901 Cass Gilbert Beaux Arts [pdf]
I M 14 1992 Goelet Building (Now Swiss Center Building) 1930 Victor L.S. Hafner Art Deco/International [pdf]
I M 14 1992 Goelet Building (Now Swiss Center Building), first floor interior 1930 Victor L.S. Hafner Art Deco/International [pdf]
HD B 14 1997 Vinegar Hill Historic District [pdf]
I M 14 1997 14 Wall Street Building (Formerly Bankers Trust Building) 1910 Trowbridge & Livingston; Shreve, Lamb & Harmon Renaissance Revival [pdf]
I B 17 1968 Wyckoff-Bennett Homestead 1766 UNKNOWN Dutch Colonial [pdf]
I S 17 1968 Sleight Family Graveyard (Rossville (Blazing Star) Burial Ground) 1750 N/A N/A [pdf]
I S 17 1968 Staten Island Lighthouse 1912 UNKNOWN N/A [pdf]
I M 18 1966 263 Henry Street Building (A Part of the Henry Street Settlement House) 1827 UNKNOWN Federal [pdf]
I M 18 1966 265 Henry Street Building (A Part of the Henry Street Settlement House) 1827 UNKNOWN Federal [pdf]
I M 18 1966 267 Henry Street Building (A Part of the Henry Street Settlement House) 1834 UNKNOWN Federal [pdf]
I M 18 1966 Sea and Land Church 1817 UNKNOWN Georgian [pdf]
I M 18 1966 St. James Church 1837 Minard Lafever Greek Revival [pdf]
I M 18 1966 Chamber of Commerce Building 1901 James B. Baker Beaux Arts [pdf]
I M 18 1966 Fire House, Engine Company 31 1895 Napoleon LeBrun & Sons French Renaissance [pdf]
I M 24 1967 Abigail Adams Smith House (Headquarters of the Colonial Dames of America) 1799 UNKNOWN Federal [pdf]
I M 24 1967 116 East 80th Street House (formerly the Lewis Spencer Morris House) 1922 Cross & Cross Federal Revival [pdf]
I M 24 1967 Church of Notre Dame 1909 Dans & Otto; Cross & Cross Greek Revival [pdf]
I M 24 1967 Clarence Dillon House 1930 Mott B. Schmidt Georgian Revival [pdf]
I M 24 1967 Edward S. Harkness House 1907 James Gamble Rogers Renaissance Revival [pdf]
I M 24 1967 Museum of the City of New York 1929 Joseph H. Freedlander; Polshek Partnership Architects Georgian Colonial [pdf]
I M 24 1967 The Yorkville Branch of the NY Public Library 1902 James Brown Lord Palladian [pdf]
I M 27 1976 City Hall, first floor interior 1803 John McComb Jr. and Joseph F. Mangin Federal, French Renaissance [pdf]
I M 27 1976 Lescaze House 1933 William Lescaze International [pdf]
I M 27 1976 Municipal Asphalt Plant 1941 Kahn & Jacobs N/A [pdf]
S B 28 1975 Ocean Parkway 1874 Olmstead & Vaux N/A [pdf]
I M 28 1975 Central Savings Bank 1926 York & Sawyer; SLCE Architects Classical [pdf]
I M 28 1975 Verdi Square 1906 N/A N/A [pdf]
I M 29 1980 130-134 East 67th Street Apartment Building 1907 Charles A. Platt Renaissance Revival [pdf]
I M 29 1980 149-151 East 67th Street Building (Former Mount Sinai Dispensary) 1889 Buchman & Deisler; Brunner & Tryon Renaissance Revival [pdf]
I M 29 1980 Park East Synagogue 1889 Schneider & Herter Moorish Revival [pdf]
I M 29 1985 Former Coty Building 1907 Woodruff Leeming; Beyer Blinder Belle Renaissance Revival [pdf]
I M 29 1985 Rizzoli Building 1907 Albert S. Gottlieb Renaissance Revival [pdf]
HD M 29 2002 Murray Hill Historic District [pdf]
I M 30 2001 (Former) Aberdeen Hotel (Now Best Western Manhattan Hotel) 1902 Harry B. Mulliken Beaux Arts [pdf]
I Q 30 1996 La Casina 1933 Li-Saltzman Architects Moderne [pdf]
I S 30 2001 August and Augusta Schoverling House 1880 UNKNOWN Second Empire [pdf]
I S 30 2001 Louis A. and Laura Stirn House 1908 Kafka & Lindenmeyr Renaissance Revival [pdf]
I S 30 2001 Staten Island Family Courthouse (Originally the Staten Island Children’s Courthouse) 1930 Sibley & Fetherston Georgian [pdf]
I M 30 2006 Church of All Saints (Roman Catholic) 1883 Renwick, Aspinwall & Russell; William W. Renwick Gothic [pdf]
I M 30 2007 Horn & Hardart Automat-Cafeteria Building 1930 F.P. Platt & Brother Art Deco [pdf]
I M 30 2007 St. Aloysius Roman Catholic Church 1902 William W. Renwick Gothic [pdf]

Citigroup Center

Citigroup Center is remarkable New York architecture, with an engineering story even more dramatic than its photographs. The distinctive floating tower (renamed 601 Lexington Avenue in 2009) became a scary 59-story lesson for architects, engineers, public officials, lawyers and journalists worldwide.

Two elements make Citigroup (originally Citicorp) Center so distinctive: The southwest-facing 45-degree roof and the nine-story stilt base.

The signature angled roof, unmistakably visible for miles, was designed as a solar collector. A power gauge in the lobby once showed how much electricity was being generated by the sun. Apparently the solar panels were no threat to Con Ed – they’ve since been unplugged.

The stilt base was designed to turn a profit, not heads. It was almost a disaster.

The nucleus of the building’s site was owned by St. Peter’s Lutheran Church, which wanted to sell the land and use the profits to build a new church in a less valuable location. As Citicorp assembled the other pieces of the site, St. Peter’s discovered that they couldn’t locate a suitable new church site. Oops. Citicorp’s solution was to build a new church on the corner, and erect the office tower above the church. (See “Holdouts!: The Buildings That Got in the Way” by Andrew Alpern and Seymour Durst for the full story.)

With the church located on the corner, the tower supports had to be placed at the center of each wall, instead of at the corners. This, in turn, required special bracing to transfer the weight of the building to the piers.

There was a miscalculation. In determining the maximum loads, LeMessurier had considered the effect of winds perpendicular to the facades – but not “quartering” winds that would push against two sides simultaneously. Making matters worse, the steel contractor had substituted bolted joints for the much stronger (but $250,000 more expensive) welded joints that were specified. LeMessurier discovered the error and the bolt substitution a year after the building was completed. The engineer ordered wind tunnel tests and discovered to his horror that the building was vulnerable to winds over 70 m.p.h.

After urgent meetings with Citicorp, LeMessurier ordered two-inch-thick plates to be welded in place over the bolted joints. Welders worked every night for three months in a race against hurricane season. They almost lost: Hurricane Ella was headed for New York on Sept. 1, 1978 but fortunately it turned out to sea, averting a massive evacuation of the neighborhood. (The Red Cross had estimated 200,000 deaths if the building toppled.)

The massive repair project went virtually unreported for 17 years – a newspaper strike hit New York just as the repairs began; The New Yorker broke the story in 1995. Diane Hartley, a Princeton engineering student, was the hero in this drama. In the course of writing her thesis, she had questioned LeMessurier’s calculations – triggering his reevaluation of the design. LeMessurier’s unflinching disclosure of the problem is today used as a case study in professional ethics.

In 2002 the building was reinforced again – this time one of the massive base columns was encased in steel and copper to protect against a terrorist bomb blast.

The engineering crisis overshadowed Citicorp Center’s other impressive features: Double-decker elevators used interior space more efficiently; a tiered, sunken plaza beneath the building’s southwest corner provides space for sidewalk cafes and entry to the subway system; a 410-ton “tuned damper” system in the crown minimizes the building’s wind-induced swaying.

Drama notwithstanding, Citigroup Center is an impressive and attractive addition to New York’s architectural treasure chest, whether viewed from afar, up close or inside.

Citigroup Center Vital Statistics
Citigroup Center Recommended Reading

Google Map

Rosario Candela

Rosario Candela (1890-1953) is considered one of the masters of New York City apartment architecture. If you’ve never heard of him before, it’s only because outwardly his buildings aren’t as flashy as more famous works such as the Dakota, Dorilton, Ansonia or Chatsworth.

Candela made his mark in the late 1920s with luxury apartment buildings – stately and grand on the outside, luxurious on the inside, often with the scale and planning appropriate for mansions. Many of his high-ceilinged apartments contained libraries, servants’ quarters, four and five bedrooms and more. Further, apartment plans separated public (entertainment) areas from private areas and both separate from service areas. House guests could not wander into the boudoir, and maids stayed discreetly out of sight of guests and master.

Candela was an early developer of the penthouse – his way of turning the building code into extra luxury/profit. The building code required setbacks; setbacks became private wrap-around terraces for larger, opulent apartments.

When business slacked off during the Great Depression, Candela developed another profession – cryptology. He even found time to write two books on the subject.

Candela’s body of work is remarkably intact. Many of his buildings are protected by NYC landmark status; his 81 apartment buildings are reportedly all still standing, so you can go see them. To see the interiors, look for a copy of “The New York Apartment Houses of Rosario Candela and James Carpenter” by Andrew Alpern; it contains floor plans and interior photos (and it’s the source that other authorities quote).

Rosario Candela Representative Buildings
Rosario Candela Suggested Reading

Harde & Short

The firm of Harde & Short designed intricate apartment building facades for nearly a decade – 1901 to 1909 – then abruptly split up with no exceptional buildings between them.

London-educated Herbert Spencer Steinhardt (later shortened to Harde) designed upper west side tenements until 1900; he met Richard Thomas Short in the offices of James E. Ware & Son. Harde, son of a real estate entrepreneur, owned and developed buildings in addition to designing them. In fact, the team’s first significant building – the 1903 Red House – was owned by a Harde subsidiary.

Red House led to a commission for 45 E 66th Street, which led to 44 W 77th Street, which in turn led to a complete change of pace – Alwyn Court Apartments.

Harde & Short Representative Buildings
Harde & Short Suggested Reading

Napoleon LeBrun

Philadelphia-born Napoleon LeBrun (1821-1901) entered architecture at age 15, working in the office of Thomas Walter. He began his own practice just six years later, and designed several Philadelphia landmarks before moving to New York in 1864.

LeBrun is best known for churches and civic buildings; LeBrun and sons Pierre and Michel designed more than 40 buildings for the Fire Department of New York between 1880 and 1895. The firm also designed the landmark Metropolitan Life Building and the annex Tower, Home Life Insurance Company Building, and, further afield, upstate New York’s sprawling Mohonk Mountain House.

Napoleon LeBrun Representative Buildings
Napoleon LeBrun Suggested Reading

De Lemos & Cordes

De Lemos & Cordes – Theodore William Emile De Lemos and August William Cordes – were German-born and -educated architects who came to the United States in the 1880s, setting up their firm in New York in 1884.

The pair achieved success quickly, specializing in commercial buildings and department stores. Their Cooper-Siegel department store (1897), and Macy’s department store (Broadway building)(1902) were both, at the time of their construction, the largest department stores in existence.

According to the NYC Landmarks Preservation Commission, “The firm tended to favor a Renaissance Revival stylistic vocabulary, and its commissions were often executed in a picturesque manner with notable ornamentation and a mixture of materials, including brick, stone, and terra cotta.”

De Lemos & Cordes Representative Buildings

* The original Empire State Building, named for the Empire State Bank

De Lemos & Cordes Suggested Reading

640 Broadway

640 Broadway, designed by DeLemos & Cordes and completed in 1897, is the original Empire State Building – named for the bank that was housed on the ground floor.

DeLemos & Cordes would go on to design much grander buildings – notably the Keuffel & Esser Company Building, Siegel, Cooper & Co. Department Store, and the R.H. Macy & Co. Department Store at Herald Square.

The building’s original commercial tenants – including the Empire State Bank – have long since departed; a Swatch store now occupies the ground floor; upper floors have been converted to loft apartments.

640 Broadway Vital Statistics
640 Broadway Recommended Reading

Google Map

Bleecker Tower

Bleecker Tower, originally the Manhattan Savings Institution, is a distinctive red sandstone and brick structure. Its chamfered corner and Romanesque arches are on a massive scale – appropriate for the bank that it was. (Lofts filled the upper stories.)

After mergers with two other banks, Manhattan Savings Institution became Manhattan Savings Bank – and closed the branch at 644 Broadway in the early 1940s. “MSI” remains embossed on the building’s copper pediment.

In the 1970s the owners converted the building to residential lofts; in the 1980s the building was converted again, to luxury loft apartments. In 2000 the owners embarked on a major facade restoration.

Bleecker Tower is in good company: Landmarked Empire State Bank Building is across the street; landmark Bayard-Condict Building is next door.

Bleecker Tower Vital Statistics
Bleecker Tower Recommended Reading

Google Map

Bayard-Condict Building

Bayard-Condict Building is New York’s only sample of the Chicago School architecture of Louis H. Sullivan. The 12-story steel-framed, terra-cotta-clad office building was considered a skyscraper when it was completed in 1899. It still glows a warm white at the T intersection of Bleecker and Crosby Streets, thanks to painstaking restoration in 1996.

The six-year, $800,000 project repaired almost 1300 terra cotta tiles; only 30 had to be replaced. In addition, restoration architects Wank Adams Slaving Associates located one of the elaborate original store front column capitals that had been ripped out during an early renovation – and made copies to restore the ground floor to its original design.

Louis Sullivan’s architectural innovation was to abandon the custom of designing and ornamenting buildings in the styles of the past – Beaux Arts, Classical Revival, Romanesque, etc. Instead, he created forms that accentuated a building’s height and structure – thin steel beams instead of massive masonry columns. Decoration, too, was modernized and Americanized.

(It should be noted that the six angels crowning the Bayard-Condict Building were not Sullivan’s idea. They were ordered by Silas Alden Condict.)

The building’s financial form was not as well designed as its facade. New York City’s Landmarks Preservation Commission notes that though the structure’s original name was to be Bayard Building, none of the prominent Bayard family was financially involved. The point became moot when construction delays resulted in a recall of the mortgage: New owners Emmeline and Silas Condict changed the name to Condict Building. A scant five months after the tower’s completion, the Condicts sold it to Charles T. Wills, the builder – who revived the Bayard name.

Bayard-Condict Building Vital Statistics
Bayard-Condict Building Recommended Reading

Google Map