Tag Archives: architecture

295 Central Park West

295 Central Park West

Manhattan, New York, , , , , , , , , ,

295 Central Park West is a lesser-known work of Emery Roth, the preeminent New York apartment building architect. The 19-story-plus-penthouse building stands at W 90th Street, and is part of the Upper West Side-Central Park West Historic District.

The facade is quite plain, even for Art Moderne. A modest stone surround marks the centered entry on Central Park West; a decorative brick bandcourse separates the first and second floors. The only other significant architectural detail is the use of rounded corners (and rounded corner windows).

The building has so far resisted conversion to condominium or co-op.

295 Central Park West Vital Statistics
  • Location: 295 Central Park West at W 90 Street
  • Year completed: 1941
  • Architect: Emery Roth & Sons
  • Floors: 20
  • Style: Art Moderne
  • New York City Landmark: 1990
  • National Register of Historic Places: 1982
295 Central Park West Recommended Reading

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244 W 23 Street

244 W 23 Street

Manhattan, New York, , , , , , ,

244 W 23 Street shows the versatility of brick, which mimicks rough-cut stone on lower floors and forms fluted pilasters on upper floors. The builder went to the expense (according to Daytonian in Manhattan) to use carved stone instead of terra cotta to ornament the facade. Sadly, subsequent owners splashed red paint over the whole facade – covering some of the stonework and all of the mortar lines.

The building was converted to co-op apartments in 1982, ending a colorful commercial history. In its first 82 years the building was home to a publisher, a filmmaker, an art school, a piano factory and more, according to the Daytonian in Manhattan blog.*

244 W 23 Street Vital Statistics
  • Location: 244 W 23 Street between 7th and 8th Avenues
  • Year completed: 1900 (?)
  • Architect: unknown
  • Floors: 7
  • Style: Romanesque Revival
244 W 23 Street Recommended Reading

* Daytonian in Manhattan – one of my favorite resources – is the work of Tom Miller, assisted by photographer Alice Lum. If you enjoy his blog, you’ll love his book: “Seeking New York.” In it, you’ll find the human stories behind 54 historic Manhattan buildings, mostly seldom-profiled pieces of architecture.

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240 W 23 Street

Manhattan, New York, , , , , , , ,

240 W 23 Street, described as “eclectic” in the “AIA Guide To New York City,” is right at home on an eclectic block of Chelsea. C.P.H. Gilbert, best known for elaborate mansions, designed the commercial structure with almost as much detail as his gothic Ukrainian Institute (former Harry F. Sinclair House). The lofts-turned-apartments sits among official and unofficial landmarks such as the Chelsea Hotel (two doors east), Muhlenberg Branch of the NY Public Library, and McBurney YMCA.

There seems to be some confusion about the building’s age. The AIA Guide reports “1880s”; Daytonian in Manhattan says 1899; the Department of Buildings says 1920; most real estate sources list 1930. Since Daytonian in Manhattan seems to have done the most research, I’m going with 1899.

240 W 23 Street Vital Statistics
  • Location: 240 W 23rd Street, between 7th and 8th Avenues
  • Year completed: 1899 (many references say 1930)
  • Architect: C.P.H. Gilbert
  • Floors: 7
  • Style: “eclectic”
240 W 23 Street Recommended Reading

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230 Riverside Drive

Manhattan, New York, , , , , , , , ,

230 Riverside Drive is relatively plain on its 15 lower floors, but blossoms above the setback with gargoyles, arcades and glass-canopied penthouse.

The landmarked building was converted to condominiums in 2004. According to Street Easy NY, the sponsor renovated the 268 units in three classes. High-end apartments were lavishly fitted with the finest appliances and amenities, including heated bathroom floors. Some units were renovated “in a more economical sense,” and some units were offered as “do-it-yourself” units.

However, under guidance of conversion architect H. Thomas O’Hara, the sponsor did preserve and restore the structure’s terra cotta.

While the facade’s style is Medieval Revival, the lobby is designed in Art Deco. It was last renovated in 2011.

230 Riverside Drive Vital Statistics
  • Location: 230 Riverside Drive at W 95 Street
  • Year completed: 1931; condo conversion, 2004
  • Architect: Charles H. Lench; condo conversion, H. Thomas O’Hara
  • Floors: 19
  • Style: Medieval Revival
  • New York City Landmark: 2015
230 Riverside Drive Recommended Reading

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200 Madison Avenue

Manhattan, New York, , , , , , , ,

200 Madison Avenue has a split personality. Its ornate neo-classical facade shelters a technically modernized interior. While the richly decorated lobby and elevator doors remain, the office tower has LEED energy certification.

If the ornamentation reminds you of the Helmsley Building (aka New York Central Building), that may be because Warren & Wetmore designed both. (Warren & Wetmore also designed Grand Central Terminal.) You’ll have to look up to enjoy the effect. The building’s ornamentation is primarily in the cornices, at the setbacks and crown.

Of historical note, this is where the Empire State Building developers had their offices during construction of New York’s most famous skyscraper.

200 Madison Avenue Vital Statistics
  • Location: 200 Madison Avenue between E 35 and E 36 Streets
  • Year completed: 1926
  • Architect: Warren & Wetmore
  • Floors: 25
  • Style: neo-classical
200 Madison Avenue Recommended Reading

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126 E 66 Street

Manhattan, New York, , , , , , , , , ,

126 E 66 Street is memorable for its Roman brick arches and massive wood doors. The picturesque three-story residence is directly across the street from the Seventh Regiment Armory (aka Park Avenue Armory), built 17 years prior.

According to NYC Landmarks Preservation Commission research, the building “Replaced a rowhouse built in the 1870’s. Built as a stable, coach house, and residence for coachman’s family. Henry 0. Havemeyer, who commissioned the stable, lived at 1 East 66th Street. After its completion, he sold it to Oliver H. Payne, brother-in-law of William C. Whitney.” The building was sold to John Hay Whitney and at this writing is still in the Whitney family.

An article in Curbed NY points out that the building is only a remnant of the original structure. As built, the coach house and stables extended to the site of 122-124 E 66 Street.

Havemeyer, who commissioned the building, was the prominent Domino Sugar magnate for whom the Brooklyn Street is named.

126 E 66 Street Vital Statistics
  • Location: 126 E 66 Street between Park and Lexington Avenues
  • Year completed: 1895
  • Architect: William J Wallace and S.E. Gage
  • Floors: 3
  • Style: Romanesqu Revival
  • New York City Landmark: 1981 (Upper East Side Historic District)
126 E 66 Street Recommended Reading

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Post Towers

Manhattan, , , , , , , , , , , ,

Post Towers, built in 1926 as the New York Evening Post Building, is a residential conversion in New York’s Financial District. The 21-story Art Deco building was the Post’s second headquarters, after the landmark building on Vesey Street.

Post Towers’ architectural distinction is the colorful geometric terra cotta design in the crown. This was recently cleaned and restored, and is best seen from across West Street.

When built, this (and all buildings on the east side of West Street) was on the waterfront. Battery Park City is built on landfill from the excavation for the original World Trade Towers.

Post Towers Vital Statistics
  • Location: 75 West Street at Carlisle Street
  • Year completed: 1926; converted to residential 1998
  • Architect: Horace Trumbauer; conversion by Costas Kondylis
  • Floors: 21
  • Style: Art Deco
  • National Register of Historic Places: 2000
Post Towers Recommended Reading

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Park Plaza Apartments

Bronx, , , , , , , , , , , ,

Park Plaza Apartments is one of the first Art Deco apartment houses to be built in the Bronx. It was designed by the prolific team of Horace Ginsberg and Marvin Fine, who built dozens of buildings on and around the Grand Concourse, including the Fish Building and Noonan Plaza Apartments. Bold, colorful glazed terra cotta enlivens the 365-foot-wide facade.

Ginsberg (who later changed his name to Ginsbern) specialized in the design and layout of apartments, while Fine specialized in the elevations – the facades. Fine began his career working for Cass Gilbert, the architect of the Woolworth Building, among other landmarks. But while working for Ginsberg – in the midst of the Park Plaza project – Fine broke with his classical training and experience to embrace “modernistic” design. Fine credited the work of William Van Alen (Chrysler Building) and Raymond Hood (American Radiator Building) as his inspiration.

The Park Plaza Apartments is on an L-shaped site with its long side on Jerome Avenue; the base pokes through the block to Anderson Avenue. The eight-story building, viewed from the front, has five blocks or wings separated by courtyards. Initially, the building was to have 10 floors. During construction, fire destroyed the building, and the Department of Buildings imposed a lower height for the rebuilt apartments.

When built, Park Plaza Apartments promoted its quiet views of Jerome Park. Part of the park remains (Mullaly Park), but the New Yankee Stadium occupies what was Macombs Dam Park, across the street. So much for quiet.

(At this writing, facade repairs spoil the picture; I hope to re-photograph the building when the scaffolding is removed.)

Park Plaza Apartments Vital Statistics
  • Location: 1005 Jerome Avenue at E 164th Street and 1000 Anderson Avenue (Bronx)
  • Year completed: 1931
  • Architect: Horace Ginsbern and Marvin Fine
  • Floors: 8
  • Style: Art Deco
  • New York City Landmark: 1981
  • National Register of Historic Places: 1982
Park Plaza Apartments Recommended Reading

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Buffalo City Hall

Buffalo NY, , , , , , , , ,

Buffalo City Hall is the city’s most dramatic building. When built, it was among the largest, tallest and most expensive city halls in the country. But it’s the style and ornamentation that makes this structure so impressive.

From the richly carved granite base to the illuminated polychrome terra cotta crown, the soaring tower of limestone and sandstone is finely detailed to accentuate the skyscraper’s height and Buffalo’s place in history.

City fathers enlisted the talents of skilled artisans: Albert T. Stewart for the portico frieze; William de Leftwich Dodge for the lobby murals; René Chambellan for detail sculpture; Bryant Baker for bronze statues of Presidents Millard Fillmore and Grover Cleveland; ceiling vault by Rafael Guastavino.

Beyond Buffalo City Hall’s artistic merits, the landmark has some notable architectural features. Instead of merely cloning each floor, plans were customized to meet the needs of the city departments that were to occupy the spaces. All of the building’s 1,520 windows open inward, so they can be washed from the inside. Offices were originally cooled by a “green” wind-powered ventilation system: Large vents in the western facade channeled strong winds off Lake Erie through cool subterranean chambers and then back through the building.

Local lore pokes Buffalo politicians. Architect John Wade designed the Common Council Chamber with pillars, each to hold busts of famous Buffalonians. But Council members could not agree who was to be honored. Plan B emerged, to have each pillar display the virtues – such as Fidelity, Prudence, and Faithfulness – of Councilmen. Ever since, the public has asked why Honesty, Efficiency and Economy are missing.

Although City Hall is no longer Buffalo’s tallest building – it was overtaken by One Seneca Tower in 1970 – the 28th floor observation deck is still a favorite tourist stop. The city provides free tours of the building, daily at noon.

Buffalo City Hall Vital Statistics
  • Location: 65 Niagara Square
  • Year completed: 1931
  • Architect: George J Dietel and John J Wade
  • Floors: 32
  • Style: Art Deco
  • Buffalo City Landmark
  • National Register of Historic Places: 1999
Buffalo City Hall Recommended Reading

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Buffalo Savings Bank

Buffalo NY, , , , , , , ,

Buffalo Savings Bank is an important Buffalo, NY landmark, and now a branch of M&T Bank. Its style is inspired by the 1893 World Columbian Exposition in Chicago.

While the outside is magnificent – that’s real gold leaf on the dome – the interior is breathtaking! (Even more remarkable, the bank permits photography inside. What a difference from New York City attitudes – but that’s a story unto itself.) Murals under the dome depict signs of the zodiac and scenes of local industry, history and commerce.

From humble beginnings – just six depositors at opening – Buffalo Savings Bank grew to national prominence as Gold Dome Bank for Savings through a series of mergers. Alas, the mergers were the bank’s undoing, and Gold Dome was liquidated in 1991.

The building is just one of many architectural surprises awaiting anyone who visits Buffalo.

Buffalo Savings Bank Vital Statistics
  • Location: 545 Main Street at E Huron Street (Buffalo, NY)
  • Year completed: 1901
  • Architect: E.B. Green & W.S. Wicks
  • Floors: 3
  • Style: Classical/Beaux Arts
Buffalo Savings Bank Recommended Reading

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