Tag Archives: apartments

Chelsea Modern

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Chelsea Modern is a stunning, award-winning residential design with innovative features – and with a perfect companion building next door on West 18th Street. Even with its mid-block location, the 12-story zig-zagging blue glass facade stands out.

Architect Audrey Matlock took a page from Ludwig Mies van der Rohe’s Seagram Building – perfectly matched window blinds are built in, so that no one can destroy the symmetry or color of the facade by installing, say, calico curtains. But condo buyers can alter their floor plans somewhat – some of the bedroom walls are movable. Handy when you need to make the guest room less hospitable. You can open the windows at Chelsea Modern – but not by sliding or swinging the sash: It moves straight out, parallel to the side of the building. Fresh air enters (or your culinary excesses exit) around the sides of the sash.

As with anything radical, Chelsea Modern has its passionate detractors. They lament “there goes the neighborhood” as historic architecture is razed and glazed. (See the Jeremiah’s Vanishing New York blog. Even if you don’t agree with the author, you have to appreciate the writing.) Two warehouses died in the making of this building.

Chelsea Modern Vital Statistics
  • Location: 447 W 18th Street between 9th and 10th Avenues
  • Year completed: 2008
  • Architect: Audrey Matlock
  • Floors: 12
  • Style: Postmodern / Deconstructivism
Chelsea Modern Recommended Reading

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459 W 18th Street

Manhattan, , , , , , , , ,

459 W 18th Street so perfectly complements Chelsea Modern, the condo next door, you might think that they were one building. That’s quite a trick, considering that the two structures have different heights, widths, orientations, colors and materials – not to mention architects.

But 459’s vertically-aligned angles and stark black and white aluminum panels paradoxically marry the blue and white glass and horizontal lines of Chelsea Modern.

459 W 18th Street Vital Statistics
  • Location: 459 W 18th Street between 9th and 10th Avenues
  • Year completed: 2009
  • Architect: Della Valle + Bernheimer Design
  • Floors: 11
  • Style: postmodern
459 W 18th Street Recommended Reading
  • The New York Times Real Estate column
  • City Realty review
  • Emporis database
  • New York Magazine feature
  • The Real Deal real estate blog
  • Architect magazine of the American Institute of Architects – design review
  • Bernheimer Architecture website
  • Arcade design blog (architect interview)

Click to access architecture090615.pdf

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The Arlington

Brooklyn, , , , , , , , ,

The Arlington is the last and tallest of four ornate Romanesque Revival/Queen Anne style apartment buildings built on Montague Street; the others, designed by the Parfitt Bros. firm, are The Montague (105), and The Berkeley/The Grosvenor (111/115). The 10-story tower makes this one stand out.

Playwright Arthur Miller lived here, as well as artist/filmmaker Marie Menken and poet Willard Maas.

An Arlington resident – Chuck Taylor – seems to be the building’s self-appointed historian: He’s written four blog pieces about the structure. His Smoking Nun essay includes vintage photos of Montague Street when it was a trolley route, and before.

The Arlington Vital Statistics
  • Location: 62 Montague Street between Hicks Street and Montague Terrace
  • Year completed: 1887
  • Architect: Montrose W. Morris
  • Floors: 10
  • Style: Romanesque Revival
  • New York City Landmark: 1965
  • National Register of Historic Places: 1962
The Arlington Recommended Reading

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The Montague

Brooklyn, , , , , , , , ,

The Montague is one of three Queen Anne style apartment buildings designed by Parfitt Brothers on Montague Street; the other two, a joined set of near twins, are just three doors up the street.

The eight-story Montague started out as elevatorless(!) apartments, but were converted at the turn of the century into an apartment hotel (see New York Sun advertisement).

Apartment hotels competed with “bachelor flats” of the era: Daily maid service was included, but there were no kitchens – residents could take their meals in a ground floor cafe on the European Plan.

As the neighborhood changed, so did the building – becoming a welfare hotel, and returning to an apartment building. It’s now a 25-unit co-op, with one- and two-bedroom apartments listing for $750,000 and up.

The Montague Vital Statistics
  • Location: 105 Montague Street, between Hicks and Henry Streets
  • Year completed: 1885
  • Architect: Parfitt Bros.
  • Floors: 8
  • Style: Queen Anne
  • New York City Landmark: 1965
The Montague Recommended Reading

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The Berkeley / The Grosvenor

Brooklyn, , , , , , , , ,

The Berkeley / The Grosvenor are a pair of Queen Anne style apartment buildings on Montague Street, mirror-image twins cleverly joined to look like one massive structure.

The brownstone, brick and terra cotta building was restored in 2004.

The Berkeley / The Grosvenor Vital Statistics
  • Location: 111-113 and 115-117 Montague Street, between Hicks and Henry Streets
  • Year completed: 1886
  • Architect: Parfitt Bros.
  • Floors: 8
  • Style: Queen Anne
  • New York City Landmark: 1965
The Berkeley / The Grosvenor Recommended Reading
  • NYC Landmarks Preservation Commission designation report (Brooklyn Heights Historic District)
  • The New York Times Streetscapes column
  • Conproco (restoration contractor) project description
  • “An Architectural Guidebook to Brooklyn,” pg. 158 (in Google Books)

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Franklin Trust Company Building

Brooklyn, , , , , , , , , , ,

Franklin Trust Company Building (aka Franklin Tower Apartments) was built to impress. The bank is no more (absorbed through mergers into present-day Citibank), but the building still impresses.

The former bank/office building stands at the corner of Montague and Clinton Streets, on the block where Montague transitions from residential to “Bankers’ Row.” Diagonally across the street are three consecutive bank buildings.

In 2009 Rothzeid Kaiserman Thomson & Bee (RKTB) performed a $10 million “gut renovation” of the building, creating 25 condo apartments plus retail spaces while preserving and restoring the exterior.

Franklin Trust Company Building Vital Statistics
  • Location: 166 Montague Street at Clinton Street
  • Year completed: 1891
  • Architect: George L. Morse (original); Rothzeid Kaiserman Thomson & Bee (conversion)
  • Floors: 10
  • Style: Romanesque Revival
  • New York City Landmark: 1965
Franklin Trust Company Building Recommended Reading
  • NYC Landmarks Preservation Commission designation report (Brooklyn Heights Historic District)
  • Brownstoner – Past and Present blog
  • Brooklyn Heights Blog archive (6 items – be sure to see “Sneak Peek” with video)
  • Street Easy listing
  • Halstead Properties video
  • RKTB (conversion architects) website

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Casino Mansions Apartments

Brooklyn, , , , , , , , ,

Casino Mansions Apartments lacks the stepped gables of its western neighbor (Heights Casino), but the brickwork is distinctly Flemish bond, and the stone detailing aligns perfectly. No coincidence – the apartment building stands on the site of the Heights Casino’s former outdoor tennis court, land that was sold with the condition that the new building blend in with the old. It helped that the same architect designed both: William A. Boring.

As built, the luxury rental building had one eight-room/two-bath and one nine-room/three bath apartment per floor. Among the “best modern conveniences and improvements” reported by The New York Times in 1910 were steam clothes dryers, sanitary garbage closets, electric plate warmers, porcelain-lined refrigerators, and wall safes.

The apartments are now co-op, with units going for $1 to $3 million.

(Also see Heights Casino.)

Casino Mansions Apartments Vital Statistics
  • Location: 200 Hicks Street at Montague Street
  • Year completed: 1910
  • Architect: William A. Boring
  • Floors: 8
  • Style: Flemish Revival
  • New York City Landmark: 1965
Casino Mansions Apartments Recommended Reading

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Time Warner Center

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Time Warner Center was controversial from the moment it was conceived – years before that name was even attached. Now that Time Warner is moving downtown to the Hudson Yards, who knows what new controversies will arise.

The oddly shaped site on Columbus Circle was inherited from the Coliseum, the Robert Moses-sponsored exhibition hall that was partly financed by federal slum clearance funds. Critics contend that the Coliseum was too small when it went up in 1956. In 1985 New York City and the MTA started shopping for a new developer. After nearly 14 years of design, political, and legal battles, Related Companies and Time Warner came up with the winning bid and design.

The project came with challenges: it had to follow the curve of Columbus Circle while aligning with the street grid – including angled Broadway; it had to include a “view corridor” of at least 65 feet; it had to contain less than 2.1 million square feet of space. (Like Grimm’s “Peasant’s Wise Daughter,” commanded to go to the king “neither naked nor clothed, neither walking nor riding, neither on the road nor off it.”)

Time Warner Center is actually five buildings: Offices and television studios for Time Warner; the One Central Park residential condominium tower; the Mandarin Oriental hotel tower; the Jazz at Lincoln Center performance halls; and The Shops at Columbus Center (originally the Palladium). While David Childs of Skidmore, Owings & Merrill was responsible for overall design, each block had its own architectural team. As reported by The New York Times, Rafael Viñoly Architects designed Jazz at Lincoln Center; Perkins & Will, the Time Warner headquarters; Elkus/Manfredi Architects, the Palladium; Brennan Beer Gorman Architects and Hirsch Bedner Associates, the Mandarin Oriental Hotel; and Ismael Leyva Architects and Thad Hayes, One Central Park.

The result, which The New York Times in 2001 termed “like a giant tuning fork vibrating to the zeitgeist,” had mixed reviews. On completion in 2004, The Times gushed, “the building has great glamour. It is far more romantic than the Jazz Age tributes conceived by Mr. Childs in his wanton postmodern youth. With 10 Columbus, the mood is modern noir. The two towers are worthy descendants of Radio City.”

New York Magazine credited Skidmore, Owings & Merrill (SOM) with conquering the complexities, but picked apart the details. “SOM got the big, difficult moves right, but for the success of any building to be complete, design decisions must reinforce each other consistently down the drafting chain. Unfortunately, sometime after the conceptual stages, SOM suffered a failure of attention span.”

Probably all will agree that Time Warner Center (whatever its future name) is a massive improvement over Robert Moses’ Coliseum.

Time Warner Center Vital Statistics
  • Location: 10 Columbus Circle
  • Year completed: 2004
  • Architect: David Childs – Skidmore, Owings & Merrill (overall design); Rafael Viñoly Architects (Jazz at Lincoln Center); Perkins & Will (Time Warner headquarters); Elkus/Manfredi Architects, (the Palladium); Brennan Beer Gorman Architects and Hirsch Bedner Associates, (Mandarin Oriental Hotel); Ismael Leyva Architects and Thad Hayes (One Central Park)
  • Floors: 55
  • Style: Postmodern
Time Warner Center Recommended Reading
  • Wikipedia entry
  • New York Magazine review
  • City Realty review
  • Skidmore, Owings & Merrill (architect) project page
  • Enclos (contractor) project page
  • Related Companies (owner/developer) property listing
  • Steel Institute of New York project overview
    • Background from The New York Times:
  • item: STREETSCAPES: THE COLISEUM; The ‘Hybrid Pseudo-Modern’ on Columbus Circle (Apr. 26, 1987)
  • item: ARCHITECTURE VIEW; Why Columbus Circle Should Go Back to Square One (Jun. 19, 1988)
  • item: A DEAL IS STRUCK FOR COLISEUM SITE (Jul. 28, 1998)
  • item: At Columbus Circle, A Circuitous Path To Columbus Centre (Sep. 6, 1998)
  • item: Columbus Circle Re-Imagined (Jul. 1, 2000)
  • item: A New Colossus Begins to Rise (May 20, 2001)
  • item: Columbus Circle’s Towers Start to Tower (Mar. 3, 2002)
  • item: Fire Is Latest Setback at AOL Time Warner Tower in Columbus Circle (Apr. 9, 2003)
  • item: For Tower Residents, a New Math (May 8, 2003)
  • item: An Appraisal; Glamorous Glass Gives 10 Columbus Circle a Look of Crystallized Noir (Feb. 4, 2004)
  • item: Time Warner Center Draws a Diverse Global Group (Nov. 21, 2004)
  • item: Time Warner Intends to Move to Planned Skyscraper at Hudson Yards (Jul. 1, 2013)

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Gainsborough Studios

Manhattan, , , , , , , , , ,

Gainsborough Studios is a distinctively detailed, colorful cooperative apartment building on a street sometimes termed bland.

The 1908 landmark was a cooperative in the original sense – intended for a community of artists – and designed for studios. The park-facing apartments are all duplexes, with double-height windows to capture the light. The rear apartments are all standard-height units. See floor plans (click plans for enlarged view). Alas, the apartments’ multi-million-dollar price tags are out of artists’ reach.

The facade was restored in 1988 – the same year the building was designated a NYC landmark.

The building next door (220 Central Park South) was demolished, and the lot will remain vacant and boarded up until the joint owners can settle their dispute. Vornado Real Estate Trust wants to build a new tower; Extell, which owns the underground parking garage (accessed via W 58th Street) won’t vacate. Extell also owns the new One57 tower and is building the 1,500-foot-tall Nordstrom Tower directly behind 220 Central Park South.

It seems that historic Gainsborough Studios will soon be dwarfed by its new neighbors east and south.

Gainsborough Studios Vital Statistics
  • Location: 222 Central Park South between Seventh Avenue and Broadway
  • Year completed: 1908
  • Architect: Charles W. Buckham
  • Floors: 16
  • Style: Victorian / Edwardian
  • New York City Landmark: 1988
Gainsborough Studios Recommended Reading

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Blue

Manhattan, , , , , , , , , , ,

Blue is much too young to be a landmark in the historical sense, but it has certainly made its mark in the Lower East Side of Manhattan.

The towering (in the local context) cantilevered glass box, with its Mondrian-esque grid of blue and black, stands out like the proverbial sore thumb against the Lower East Side’s historic tenements (the Tenement Museum is three blocks away). Not long after the controversial apartments went up, New York City Council rezoned the East Village and Lower East Side, limiting building heights to preserve “neighborhood scale and character.”

The architect – charged, after all, with the task of creating a profitable building – said the structure was the logical result of maximizing square footage within the separate requirements of two lots. The cantilevered south section (103 Norfolk Street) rises over a commercial zone lot; the north section (105 Norfolk Street) is on a residential zone lot.

You must admit it’s an arresting design from any angle, even on a cloudy day.

Blue Vital Statistics
  • Location: 103 & 105 Norfolk Street between Delancey and Rivington Streets
  • Year completed: 2007
  • Architect: Bernard Tschumi Architects, SLCE Architects
  • Floors: 17
  • Style: Postmodern
Blue Recommended Reading
  • The New York Times Real Estate article (September 11, 2005)
  • Bernard Tschumi Architects website
  • Street Easy listing

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