Category Archives: New York

New York City

215 W 75th Street

215 W 75th Street, aka Majestic Towers, is a sedate Upper West Side cooperative now – but it roared in the ’20s as a brothel and speakeasy!

According to a history originally published on the building’s now-dormant website, the structure was designed as a bordello. Celebrities and celebrated madam Polly Adler called this home. During police raids, patrons could escape via reputed “secret” staircases. (Naysayers pooh-pooh the idea, and say the stairs were just fire escapes required by the building code of the time.)

Architecturally, the building follows the traditional base-shaft-crown organization. The three-story crown is the most expressive feature, with white terra cotta decoration.

Majestic Towers became a cooperative in 1989.

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Brooklyn Fire Department Headquarters

Brooklyn Fire Department Headquarters, “architecturally one of the finest buildings in Brooklyn,” has been restored to its 1892 magnificence. Amazingly, the downtown landmark was renovated without displacing tenants – and all 18 units of the formerly city-owned building were retained as “affordable housing.”

In his “Streetscapes” column, Christopher Gray notes that this building was Brooklyn’s answer to Manhattan’s Fire Department Headquarters (now the home of Engine 39/Ladder 16). After the City of Brooklyn became part of New York City in 1898, the headquarters functions shifted to Manhattan. The fire department used the building into the 1970s, then the city leased it to Polytechnic University. In 1989 the city converted the building to 18 apartments for low-income and senior residents.

After years of decay, the city launched a complex rehabilitation plan in 2013. As reported in The Brownstoner, the rehab involved The Pratt Area Community Council (PACC) as the developer, with financing from the City of New York (HPD), the Community Preservation Corp (CPC), and LISC (Local Initiatives Support Corporation). The project also received funding though Historic Preservation Tax Credits, and a grant through the NYS Office of Parks, Recreation, and Historic Preservation. Nomad Architecture was the project architect, and the Historic Preservation Consultant was Thomas A. Fenniman, Architect. MDG Design & Construction was the development partner and the contractor.

The arched doorway no longer admits fire trucks, and the legend “FIRE HEAD-QUARTERS” has been replaced by terra cotta scrollwork. Otherwise, welcome back to 1892 and the City of Brooklyn.

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Bronx County Hall of Justice

Bronx County Hall of Justice reverses centuries of tradition: The aluminum and glass facades are designed for openness and transparency instead of monumental intimidation.

According to the architects, “The image of the courthouse in society was of primary concern in the design of the building. The program is organized in a linear manner around an open civic space and layered from public to private, with the public circulation, animated by a series of cantilevered stairs, facing the open space. Within the courtyard sets a free-standing public building that serves as the jury assembly room, gives scale to the space, and is the symbolic as well as formal focus of the project. The exterior wall design responds to the various functions within and orientations of the building. The curtain wall facing the south and west takes the shape of a folded plane with integrated light shelves that reflect light into the courtrooms and shade the adjacent corridor. The intent is to express the building as open and inviting, a metaphor for the transparency of the judicial process.”

The building is a dazzling contrast to the Bronx Criminal Court, next door, and the Bronx County Building (originally Bronx County Courthouse) at Grand Concourse, just two blocks west.

Despite its openness, the Hall of Justice was built with security in mind: The glass walls are bullet- and blast-resistant.

While the building’s design was exceptional, the construction was anything but. The construction site was contaminated, the low-bidding contractor was disqualified for suspected mob ties, the underground garage was deemed unsafe, and air conditioning for the court computers didn’t work. The four-year, $325 million project stretched accordion-like to six years and $421 million, opening in 2008.

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Bronx County Hall of Justice Recommended Reading

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131 Buckingham Road

131 Buckingham Road is widely cited as New York City’s most unusual residence – a century-old Japanese-style wood-frame home, in the heart of Victorian Flatbush.

In the words of the NYC Landmarks Preservation Commission, “The most exotic and certainly the best-known house in Prospect Park South is this Japanese style wood and stucco structure designed in 1902 by Petit & Green for Dean Alvord. The dwelling is further evidence of Petit’s ability to design in many architectural styles, but in order to give the building a genuine oriental quality, he was assisted by three Japanese artisans: Saburo Arai, who worked as a contractor; Shunso Ishikawa, who was responsible for the original color scheme and decorations, and Chogoro Sugai, who designed the original garden.”

According to the Commission, “The cost of building this house was estimated in 1902 as being $12,000, and in 1903 the price for the purchase of the building was quoted as $26,500, very high for a building in Prospect Park South. By advertising this exotic structure, Alvord hoped to attract potential buyers who were curious about this dwelling, but would buy the less expensive structures in the area. Alvord noted in a boldly printed box at the bottom of the advertisement that ‘many other houses equally artistic and distinctive, at varying prices, are ready for inspection.’ “

The Flatbush Development Corporation house tours frequently feature this home – see the FDC website or call 718-859-3800 for information.

This gem is just one of the jewels of the Prospect Park South Historic District and adjacent Beverley Square West development.

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2 Park Avenue

2 Park Avenue is “one of [Ely Jacques] Kahn’s most dramatic and successful works and survives today as one of the most beautiful and distinctive office towers of the Art Deco period,” in the words of the NYC Landmarks Preservation Commission (LPC).

LPC continued, “Kahn was able to successfully integrate a new decorative type produced by the application of colorful terra-cotta panels in geometric designs to a tall, commercially successful office/loft structure. 2 Park Avenue was one of the important late 1920s buildings that helped create the visually lively and iconic city of the early 20th century.”

According to the commission, the building’s developers were not sure what they wanted to do with the structure. The neighborhood was in transition, and the dominant commercial tenant was unknown. The owners asked Kahn to design a building that could be used as offices and showrooms or for light manufacturing.

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767 Third Avenue

767 Third Avenue represents the personality of developer Melvyn Kaufman more than it stands for an architect or style of architecture.

FxFowle Architects designed a beautiful building, to be sure. Subtle brick detailing outlines the ribbon windows; corners are sinuously rounded; the whole tower is raised on pilotis, revealing a lobby sheathed in oak-framed glass (instead of metal or stone). The more playful details are on E 48th Street, in the courtyard behind the building. A three-story chessboard adorns the wall of 212 E 48th Street; huge steel footprints are welded to the sidewalk utility grates; a stage coach and a 1929 Ford truck are parked in the plaza.

The New York Times’ obituary for Melvyn Kaufman noted, “Though he was not an architect, his buildings were generally acknowledged to have sprung as much from his own vision as from the architect of record’s — a vision Mr. Kaufman realized with the aid of designers like Pamela Waters and Rudolph de Harak.”

The Times continued, “Mr. Kaufman had a lifelong fascination with office buildings as public spaces with which tenants and passers-by could engage. If one was going to erect a leviathan, his design philosophy seemed to go, at least make it leviathan with levity.

“He deplored lobbies, the sine qua non of office buildings since the dawn of recorded history. ‘Marble and travertine mausoleums are bad for the living and terrific for the dead,’ Mr. Kaufman told The Times in 1971.”

Kaufman seemed fond of this stretch of Third Avenue: He built other office buildings at 711, 747, and 777.

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Prospect Park South Historic District

Prospect Park South Historic District is a neighborhood with a mission: To “illustrate how much of rural beauty can be incorporated within the rectangular limits of the conventional city block.” The myriad home styles were the vision of a single developer: Dean Alvord.

According to the NYC Landmarks Preservation Commission, “The most important event in the progress of suburbanization in Flatbush was the purchase in 1899 of approximately fifty acres of land by the real estate developer Dean Alvord for $280,000. Most of this land had been owned by the Dutch Reformed Church and the Bergen family. Alvord intended to lay out a ‘high-class’ suburban community to be called Prospect Park South.

“…Alvord’s objective in Prospect Park South was, in his own words, ‘to create a rural park within the limitations of the conventional city block and city street.'”

Alvord laid out the utilities, put up brick gateposts, and planned lawns and malls. He hired a landscape gardener, and hired architect John J. Petit to design large comfortable houses in a variety of styles. The LPC notes examples of Colonial Revival, neo-Tudor, Queen Anne, Swiss chalet, and even Japanese pagoda.

“The architecture of Prospect Park South is representative of a phenomenon common among the suburbs that were built up in America at the turn of the 20th century. The buildings erected in these developments represent an eclectic mix with houses of many different styles placed next to each other on each street. Each house at Prospect Park South was designed as a separate entity with no consideration given to the style of the surrounding structures or to the appropriateness of the use of a certain stylistic variant for a specific site…. At Prospect Park South houses with Colonial, Queen Anne, Italianate, French Renaissance, Japanese, Elizabethan, Jacobean and other stylistic details were freely juxtaposed. This free mixture of stylistic forms often resulted in such seeming incongruities as the placement of a stucco Spanish Mission style home beside a frame Swiss Chalet.” [LPC Designation Report]

Prospect Park South Historic District Vital Statistics
Prospect Park South Historic District Recommended Reading

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Forest Hills Gardens

Forest Hills Gardens is a New York City fantasyland – a pricey, exclusive community that takes its privacy (and rules!) very seriously, yet began with the idea of providing affordable housing.

The Russell Sage Foundation bought 142 acres from Cord Meyer Development Company in 1909 to create a “Garden Cities” community for the working poor. Alas, “affordable housing” soon became a myth. Although architect Grosvenor Atterbury used prefabrication techniques to reduce costs, home prices skyrocketed. It’s fair to say that the only working poor you’ll spot in Forest Hills Gardens are the groundskeepers.

While the working class aspirations of the Russell Sage Foundation have slipped away, the architectural vision, at least, persists. Forest Hills Gardens is beautiful.

Some 800 houses and 11 apartment buildings are precisely laid out on what is now 175 acres, following architectural standards set by Atterbury and landscape architect Frederick Law Olmsted, Jr. To this day, Forest Hills Gardens Corporation enforces those architectural standards – right down to the paint colors that homeowners are allowed to use – to preserve the residential, garden community atmosphere.

The West Side Tennis Club moved to Forest Hills in 1913, but became a victim of its own success. The Forest Hills Tennis Stadium drew so many tennis fans (and later, concert-goers) that it became a persona non grata because the crowds brought more traffic and trash than prestige. Closed for 20 years, Forest Hills Stadium is trying to make a comeback as a concert venue.

(Also see Forest Hills Inn, one of the apartment buildings – originally a hotel – located on Station Square.)

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Forest Hills Inn

Forest Hills Inn is the first thing a visitor sees when entering Forest Hills Gardens at Station Square. The nine-story Tudor-styled building towers over the square and the Long Island Railroad station that it faces.

It’s an Inn in name only: The 1912 relic, surprisingly not landmarked, turned coop in 1967. The Inn is actually three connected buildings on Station Square (a fourth building, Forest Hills Inn Apartments, was added in 1917).

In its heyday, Forest Hills Inn had 150 rooms and hosted public events. Now, it has 50 apartments plus retail spaces including a cafe on Station Square.

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Bronx County Building

Bronx County Building (originally Bronx County Courthouse) is a monumental landmark of limestone and marble that blends modern and classical forms. It is made more prominent by its siting, raised on a granite podium between two parks – Joyce Kilmer Park to the north, Franz Sigel Park to the south.

The podium, most visible on the west and north facades, is functional: It contains a garage, among other things.

The design is symmetrical, each side almost identical except for the sculpture. A six-columned portico is centered on each side, flanked by a pair of pink marble sculpture groups. The north and south facades are broken by 13 lines of windows; the east and west facades have 15 bays. Polished copper spandrels separate the windows; the first-floor spandrels have nickel inlays.

The county’s judicial needs have outgrown the building – at one point the building was so crowded that there were reports of juries deliberating in storage rooms. Larger courts have since been built to the east on E 161st Street and to the north on Grand Concourse. The building now serves as the Bronx County municipal building.

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