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Medical Arts Building

The Medical Arts Building, now known as simply 57 West 57th Street, was designed by Warren & Wetmore. That’s the same firm that designed nearby Steinway Hall and the Crown (originally Heckscher) Building – and New York landmarks Grand Central Terminal, Helmsley (originally New York Central) Building, Biltmore Hotel, and Grand Hyatt New York (originally Commodore Hotel), among others.

As the name suggests, the building was conceived as a center for doctors, dentists and other medical practitioners. Several whole-floor clinics and sanitoriums took residence here. But as the Daytonian in Manhattan blog tells it, medicine was not all that was practiced here! Must read!

The building’s new owner specializes in pre-built office space. The building has been redesigned internally with movable walls on tracks. (See The New York Observer article.) Several companies have set up shop to offer office leases by the month, day – or hour.

While the building has traded commerce for medicine on the inside, the decorative arts are alive and well on the outside: A string of gilt-painted terra cotta adorns the white brick facades on Sixth Avenue and West 57th Street; a massive columned “temple” crowns the building. The gilt medallions are supposed to picture notable physicians; I haven’t located the names. Also, at this writing the building’s Sixth Avenue art deco entrance was covered in scaffolding, so I couldn’t photograph it.

Medical Arts Building Vital Statistics
Medical Arts Building Recommended Reading

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The Arlington

The Arlington is the last and tallest of four ornate Romanesque Revival/Queen Anne style apartment buildings built on Montague Street; the others, designed by the Parfitt Bros. firm, are The Montague (105), and The Berkeley/The Grosvenor (111/115). The 10-story tower makes this one stand out.

Playwright Arthur Miller lived here, as well as artist/filmmaker Marie Menken and poet Willard Maas.

An Arlington resident – Chuck Taylor – seems to be the building’s self-appointed historian: He’s written four blog pieces about the structure. His Smoking Nun essay includes vintage photos of Montague Street when it was a trolley route, and before.

The Arlington Vital Statistics
The Arlington Recommended Reading

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The Montague

The Montague is one of three Queen Anne style apartment buildings designed by Parfitt Brothers on Montague Street; the other two, a joined set of near twins, are just three doors up the street.

The eight-story Montague started out as elevatorless(!) apartments, but were converted at the turn of the century into an apartment hotel (see New York Sun advertisement).

Apartment hotels competed with “bachelor flats” of the era: Daily maid service was included, but there were no kitchens – residents could take their meals in a ground floor cafe on the European Plan.

As the neighborhood changed, so did the building – becoming a welfare hotel, and returning to an apartment building. It’s now a 25-unit co-op, with one- and two-bedroom apartments listing for $750,000 and up.

The Montague Vital Statistics
The Montague Recommended Reading

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The Berkeley / The Grosvenor

The Berkeley / The Grosvenor are a pair of Queen Anne style apartment buildings on Montague Street, mirror-image twins cleverly joined to look like one massive structure.

The brownstone, brick and terra cotta building was restored in 2004.

The Berkeley / The Grosvenor Vital Statistics
The Berkeley / The Grosvenor Recommended Reading

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Pershing Square Building

The Pershing Square Building’s days may be numbered. Unless the NYC Landmarks Preservation Commission intercedes, this tawny brick and terra cotta structure is in the path of the midtown rezoning proposal designed to encourage development of new office towers.

Although the building was completed in 1923, its foundations were laid in 1914 – thus escaping the 1916 zoning law that required setbacks on tall buildings. The polychrome brick and terra cotta was novel at the time.

The large terra cotta figures at the fifth floor level are Roman caduceators, or peace commissioners; one version holds his caduceus, the other holds a cornucopia of peace. Nice touch, for a building named for a World War I general.

The Pershing Square Building stands on the site of the original Pershing Square – the former site of the Grand Union Hotel, which was demolished in 1914 for construction of the Lexington Avenue subway. The city sold the land instead of developing the park and memorial to General John J. Pershing. Pershing Square moved across the street to the site now occupied by the Pershing Square (aka Park Avenue) Viaduct ramp and Pershing Square Cafe.

You may note that the Pershing Square Building blends in very well with the neighboring Bowery Savings Bank. It’s no accident. The same firm designed the bank in a complementary style.

Pershing Square Building Vital Statistics
Pershing Square Building Recommended Reading

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Franklin Trust Company Building

Franklin Trust Company Building (aka Franklin Tower Apartments) was built to impress. The bank is no more (absorbed through mergers into present-day Citibank), but the building still impresses.

The former bank/office building stands at the corner of Montague and Clinton Streets, on the block where Montague transitions from residential to “Bankers’ Row.” Diagonally across the street are three consecutive bank buildings.

In 2009 Rothzeid Kaiserman Thomson & Bee (RKTB) performed a $10 million “gut renovation” of the building, creating 25 condo apartments plus retail spaces while preserving and restoring the exterior.

Franklin Trust Company Building Vital Statistics
Franklin Trust Company Building Recommended Reading

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Brooklyn Trust Company Building

Brooklyn Trust Company Building, deemed “the most beautiful building on Brooklyn’s ‘Bank Row’,” is well preserved inside and out. The NYC Landmarks Preservation Commission took the unusual step of designating both the interior and the exterior as landmarks.

Chase Bank sold the building in 2007; those owners sold it in 2011, and the new owner is creating condominium apartments (Barry Rice Architects) in the rear (Pierrepont Street) annex.

Brooklyn Trust Company Building Vital Statistics
Brooklyn Trust Company Building Recommended Reading

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The Heights Casino

The Heights Casino is marked by distinctive gables, not tables: Flemish Revival style, applied to a private (and non-gambling) club. It is famed for games, though: tennis and squash; and for high society: the indoor tennis court can be converted to a ballroom.

The club’s former outdoor tennis courts were sold – on condition that the apartment building (Casino Mansions Apartments) to be built would complement the club, architecturally.

(Also see Casino Mansions Apartments.)

The Heights Casino Vital Statistics
The Heights Casino Recommended Reading

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Casino Mansions Apartments

Casino Mansions Apartments lacks the stepped gables of its western neighbor (Heights Casino), but the brickwork is distinctly Flemish bond, and the stone detailing aligns perfectly. No coincidence – the apartment building stands on the site of the Heights Casino’s former outdoor tennis court, land that was sold with the condition that the new building blend in with the old. It helped that the same architect designed both: William A. Boring.

As built, the luxury rental building had one eight-room/two-bath and one nine-room/three bath apartment per floor. Among the “best modern conveniences and improvements” reported by The New York Times in 1910 were steam clothes dryers, sanitary garbage closets, electric plate warmers, porcelain-lined refrigerators, and wall safes.

The apartments are now co-op, with units going for $1 to $3 million.

(Also see Heights Casino.)

Casino Mansions Apartments Vital Statistics
Casino Mansions Apartments Recommended Reading

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Time Warner Center

Time Warner Center was controversial from the moment it was conceived – years before that name was even attached. Now that Time Warner is moving downtown to the Hudson Yards, who knows what new controversies will arise.

The oddly shaped site on Columbus Circle was inherited from the Coliseum, the Robert Moses-sponsored exhibition hall that was partly financed by federal slum clearance funds. Critics contend that the Coliseum was too small when it went up in 1956. In 1985 New York City and the MTA started shopping for a new developer. After nearly 14 years of design, political, and legal battles, Related Companies and Time Warner came up with the winning bid and design.

The project came with challenges: it had to follow the curve of Columbus Circle while aligning with the street grid – including angled Broadway; it had to include a “view corridor” of at least 65 feet; it had to contain less than 2.1 million square feet of space. (Like Grimm’s “Peasant’s Wise Daughter,” commanded to go to the king “neither naked nor clothed, neither walking nor riding, neither on the road nor off it.”)

Time Warner Center is actually five buildings: Offices and television studios for Time Warner; the One Central Park residential condominium tower; the Mandarin Oriental hotel tower; the Jazz at Lincoln Center performance halls; and The Shops at Columbus Center (originally the Palladium). While David Childs of Skidmore, Owings & Merrill was responsible for overall design, each block had its own architectural team. As reported by The New York Times, Rafael Viñoly Architects designed Jazz at Lincoln Center; Perkins & Will, the Time Warner headquarters; Elkus/Manfredi Architects, the Palladium; Brennan Beer Gorman Architects and Hirsch Bedner Associates, the Mandarin Oriental Hotel; and Ismael Leyva Architects and Thad Hayes, One Central Park.

The result, which The New York Times in 2001 termed “like a giant tuning fork vibrating to the zeitgeist,” had mixed reviews. On completion in 2004, The Times gushed, “the building has great glamour. It is far more romantic than the Jazz Age tributes conceived by Mr. Childs in his wanton postmodern youth. With 10 Columbus, the mood is modern noir. The two towers are worthy descendants of Radio City.”

New York Magazine credited Skidmore, Owings & Merrill (SOM) with conquering the complexities, but picked apart the details. “SOM got the big, difficult moves right, but for the success of any building to be complete, design decisions must reinforce each other consistently down the drafting chain. Unfortunately, sometime after the conceptual stages, SOM suffered a failure of attention span.”

Probably all will agree that Time Warner Center (whatever its future name) is a massive improvement over Robert Moses’ Coliseum.

Time Warner Center Vital Statistics
Time Warner Center Recommended Reading

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